Haddi az Quotes

“you choose darknessyou choose light,but you will know if you chose right.”

“you choose darknessyou choose light,but you will know if you chose right.”

“But that was all bravado. Already - how had it come about so quickly - desire had begotten need. A few whispered words (perhaps he didn't mean them) and I was ready to follow. It was worse to think of staying behind, to grind one day upon another. Nothing to hold me here. None to regret my leaving, save Az.”

“Peygamber dedi: 'Kadın akıllılara ve gönül sahiplerine tam galip gelir. Cahillerse kadına üstün olur, çünkü onlar sert ve serkeş davranır.' İncelik, letafet ve insaf onlarda az bulunur, çünkü tabiatlarında hayvanlık galiptir. Sevgi ve incelik, insanlık vasfıdır. Öfke ve şehvet, hayvanlık vasfıdır. O, Hakk'ın ışığıdır; sevgili değil. O, sanki yaratıcıdır; yaratılmış değildir.”

“Whether life finds us guilty or not guilty, we ourselves know we are not innocent.”

“If you want to live in a state known for its corruption, come to Arizona!”

“The day I die, I’ll be too busy thinking to notice” he waved his hand as he left the ship. - Nelson Moon, shipwright and designer of the Altered Moon. Current location: Cantankerous Base, Planet Tarris, Arzian Alliance”

“Green strongly influences the heart and helps alleviate tension. Positive qualities associated with green are generosity, humility, and cooperation. Foods of the green vibration are all green fruits and green vegetables.”

“It's lovely to be going home and know it's home. I love green gables already, and I've never loved any place before. Oh, Marilla, I'm so happy.”

“We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.”

“Why do writers use symbolism?” Okay, so let’s say you have a headache and you wanna tell someone about it and you say, “I have a headache!” and other people are like, “Yeah, whatever. Everybody gets headaches.” But your headache is not a regular headache, it’s a serious headache, so you say, “My brain is on fire!” to try to help these people understand that this is a headache that needs attention! That’s a metaphor, right? And you use it so that you can be understood. Now let’s say you want to take those same imagistic principles but apply them to a much more complex idea than having a headache, like, for instance, the yearning that one feels for one’s dreams. And you can see the dream but you can’t cross the bay to get to the green light that embodies your dream. And you want to talk about how socio-economic class in America is a barrier – a bay-like barrier, some would say – that stands between you and the green light and makes that gap unbridgeable. Now, you can just talk about that stuff directly, but when you talk about it symbolically, it becomes more powerful, because instead of being abstract it becomes kind of observable…. So I think that’s why.”