Brad McKinniss Quotes

“The casket was lined with lovely velvet, which must have felt lovely even to the dead, but the glowing man continued to rip up the casket.”

“The casket was lined with lovely velvet, which must have felt lovely even to the dead, but the glowing man continued to rip up the casket.”

“To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.”

“as if a round apple presented itself to my hand, a ripe, golden apple with a soft, cool, velvety skin - thus the world presented itself to me - as if a tree nodded to me, a wide-branching, strong-willed tree, bent for reclining and as a footstool for the way-weary: thus the world stood upon my headland - as if tender hands brought me a casket - a casket open for the delight of modest, adoring eyes: thus the world presented himself before me today - not so enigmatic as to frighten away human love, not so explicit as to put to sleep human wisdom - a good, human thing was the world to me today, this world of which so many evil things are said!”

“There is no safe investment. To love at all is to be vulnerable. Love anything, and your heart will certainly be wrung and possibly be broken. If you want to make sure of keeping it intact, you must give your heart to no one, not even to an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements; lock it up safe in the casket or coffin of your selfishness. But in that casket – safe, dark, motionless, airless – it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. The alternative to tragedy, or at least to the risk of tragedy, is damnation. The only place outside Heaven where you can be perfectly safe from all the dangers and perturbations of love is Hell.”

“«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time.“Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore.And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.Memories might keep him alive. But they might kill me.»”

“Look: each moment is a cradle and a casket: may all life and all death seem strange to you.”

“Look: each moment is a cradle and a casket: may all life and all death seem strange and new to you.”

“My solo album is dead and buried. We had the funeral. It was sad and I cried a lot but it made such a beautiful corpse that we had an open casket.”

“You may have tangible wealth untold. Caskets of jewels and coffers of gold. Richer than I you can never be -I had a mother who read to me”

“I have crazy claustrophobic dreams, weird elevator dreams where the elevator closes in and all of a sudden I am lying down - oh my God, it's a casket. Just freaky stuff like that.”