Nikhil Bhardwaj Quotes

“If Aphrodite had an avatar on earth, it was her. It was her- the Holy Grail men keep searching all through their lives!- O Amor”

“Things weren’t always as good as they are now. In school we learned that in the old days, the dark days, people didn’t realize how deadly a disease love was.For a long time they even viewed it as a good thing, something to be celebrated and pursued. Of course that’s one of the reasons it’s so dangerous: It affects your mind so that you cannot think clearly, or make rational decisions about your own well-being. (That’s symptom number twelve, listed in the amor deliria nervosa section of the twelfth edition of The Safety, Health, and Happiness Handbook, or The Book of Shhh, as we call it.) Instead people back then named other diseases—stress, heart disease, anxiety, depression, hypertension, insomnia, bipolar disorder—never realizing that these were, in fact, only symptoms that in the majority of cases could be traced back to the effects of amor deliria nervosa.”

“Amore is loveconfessed to you in haiku.Do you love me too?”

“El amor de Cristo nos ayuda a mirar más allá del amor de otros.”

“I am neither moral or immoral. I am amoral, and I express it through my kindness.”

“El infierno es saber que tenías tan poca fe en mi amor que estabas dispuesta a condenarme a la agonía de por vida.”

“For the writer, the serial killer is, abstractly, an analogue of the imagination's caprices and amorality; the sense that, no matter the dictates and even the wishes of the conscious social self, the life or will or purpose of the imagination is incomprehensible, unpredictable.”

“She stayed beside me until I slept, waveringly, brilliantly, hooded in diaphanous scarlet, and occasionally she left an imperative written in lipstick on my dusty windowpane. BE AMOROUS! she exhorted one night and, another night, BE MYSTERIOUS! Some nights later, she scribbled: WHEN YOU BEGIN TO THINK, YOU LOSE THE POINT.”

“Everything I know, everything I put in my fiction, will hurt someone somewhere as surely as it will comfort and enlighten someone else. What then is my responsibility? What am I to restrain? What am I to fear and alter--my own nakedness or the grief of the reader? I want my stories to be so good they are unforgettable; to make my ideas live and my own terrors real for people I will never meet. It is a completely amoral writer's lust. If we begin to agree that some ideas are too dangerous, too bad to invite inside our heads, then we stop the storyteller completely. We silence everyone who would tell us something that might be painful in our vulnerable moments.”

“Ninguna cosa es más propia a Dios que el amor, ni al amor hay cosa más natural que volver al que ama en las condiciones e ingenio del que es amado.”