1938 Quotes

“If you have sacrificed my nation to preserve the peace of the world, I will be the first to applaud you. But if not, gentlemen, God help your souls." Czechoslovakian foreign minister Jan Masaryk to Lord Halifax as reaction to announcement of allies' betrayal in 1938.”

“Osborn was a founding partner of the advertising agency Batten, Barton, Durstine, and Osborn (BBDO), but it was as an author that he really made his mark, beginning with the day in 1938 that a magazine editor invited him to lunch and asked what his hobby was. “Imagination,” replied Osborn.”

“There is no Archimedean point from which to judge, since the psyche is indistinguishable from its manifestations. The psyche is the object of psychology, and -fatally enough- also its subject. There is no getting away from this fact."Psychology and Religion" (1938). In CW 11: Psychology and Religion: West and East. P.8”

“If everyone could learn how to read books properly and how to use them as effective tools for daily living, the facilities of colleges could easily go out of existence without any loss to society.' -From a speech by the president of Mount Holyoke College, as reported in the Philadelphia Public Ledger, May 13, 1938”

“I skipped the thirty-one years between 1938 and 1965 and jumped to the section entitled “Junitaki Today.” Of course, the book’s “today” being 1970, it was hardly today’s “today.” Still, writing the history of one town obviously imposed the necessity of bringing it up to a “today.” And even if such a today soon ceases to be today, no one can deny that it is in fact a today. For if a today ceased to be today, history could not exist as history.”

“There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous.", February 19, 1938)”

“One day you see a man walking down the road, the next day you come to his yard and find him dead... Why is it that he cannot do what the living do? It is because the thing that gave power to these parts is no longer there. That is the duppy, and that is the most powerful part of any man. Everybody has evil in them, and when a man is alive... he will not abandon himself to many evil things. But when the duppy leaves the body, it no longer has anything to restrain it and it will do more terrible things than any man ever dreamed of.- From 'Tell My Horse: Voodoo and Life in Haiti and Jamaica', Zora Neale Hurston, 1938”

“As you try to balance between the socialist and capitalist systems in the world, you will come up against the biggest problem facing humanity today. Jung wrote in 1938 "Any large company composed of wholly admirable persons has the morality and intelligence of an unwieldy, stupid, and violent animal. The bigger the organization, the more unavoidable is its immorality and blind stupidity." Each of these systems promotes itself by pointing out the moral failings of the other, but these moral failings are actually failings brought about by people acting within the context of large organizations. What is truly needed is to learn a structure of organization of human beings that provides for the organized group the same capacity and propensity for moral behavior that is possessed by individuals.”

“Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.”