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“Of course, if I write a first-person novel about a woman writer, I am inviting every book reviewer to apply the autobiographical label -- to conclude that I am writing about myself. But one must never not write a certain kind of novel out of fear of what the reaction to it will be.”
John Irving“She asserted that the best fictional detail was a chosen detail, not a remembered one - for fictional truth was not only the truth of observation, which was the truth of mere journalism. The best fictional detail was the detail that should have defined the character or the episode or the atmosphere. Fictional truth was what should have happened in a story - not necessarily what did happen or what had happened.”
John Irving, A Widow for One Year“Because who can describe the look that triggers the memory of loved ones? Who can anticipate the frown, the smile, or the misplaced lock of hair that sends a swift, undeniable signal from the past? Who can ever estimate the power of association, which is always strongest in moments of love and in memories of death?”
John Irving, A Widow for One Year“Ruth knew very well what the killer thought he had heard: he'd heard the sound of someone trying not to make a sound - that's what he'd heard.”
John Irving, A Widow for One Year“And maybe it was fair; if a book was any good, it was a slap in the face to someone.”
John Irving, A Widow for One Year“A novel is always more complicated than it seems at the beginning. Indeed a novel should be more complicated than it seems at the beginning.”
John Irving, A Widow for One Year“If you're a writer, the problem is that, when you try to call a halt to thinking about your novel-in-progress, your imagination still keeps going; you can't shut it off.”
John Irving, A Widow for One Year“You can't learn everything you need to know legally.”
John Irving, A Widow for One Year