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“There is more than one way not to read, the most radical of which is not to open a book at all. For any given reader, however dedicated he might be, such total abstention necessarily holds true for virtually everything that has been published, and thus in fact this constitutes our primary way of relating to books. We must not forget that even a prodigious reader never has access to more than an infinitesimal fraction of the books that exist.”
Pierre Bayard“Our relation to books is a shadowy space haunted by the ghosts of memory, and the real value of books lies in their ability to conjure these specters.”
Pierre Bayard, How to Talk About Books You Haven't Read“You're not allowed to say anything about books because they're books, and books are, you know, God.”
Nick Hornby, A Long Way Down“I have never been able to resist a book about books.”
Anne Fadiman, Ex Libris: Confessions of a Common Reader“Did I really read every single book in the school? My mother maintains I did. Maybe I just told the teachers I had and they all believed me. Maybe this is where the lying about books really began. Where were the checks and balances? I blame the authorities.”
Andy Miller, The Year of Reading Dangerously: How Fifty Great Books (and Two Not-So-Great Ones) Saved My Life“The title of the work, its place in the collective library, the nature of the person who tells us about it, the atmosphere established in the written or spoken exhange, among many other instances, offer alternatives to the book itself that allow us to talk about ourselves without dwelling upon the work too closely.”
Pierre Bayard, How to Talk About Books You Haven't Read“In this course I have tried to reveal the mechanism of those wonderful toys — literary masterpieces. I have tried to make of you good readers who read books not for the infantile purpose of identifying oneself with the characters, and not for the adolescent purpose of learning to live, and not for the academic purpose of indulging in generalizations. I have tried to teach you to read books for the sake of their form, their visions, their art. I have tried to teach you to feel a shiver of artistic satisfaction, to share not the emotions of the people in the book but the emotions of its author — the joys and difficulties of creation. We did not talk around books, about books; we went to the center of this or that masterpiece, to the live heart of the matter.”
Vladimir Nabokov, Lectures on Literature“A book about books is like a poem about poetry:Books are knowledge, paid for, all.Readers - horses in a stall.Stallions should always run.Lest they stale become, in turn.Running waters are most clear.In some books, you disappear –lose yourself, and track of time.How I wish that one was mine...Mine, to have, to write, to read...Mine, just like a flying steed.Mine, forever, - to improve.Would I then, of me, approve?I would not, I can't... myself.I'm but dust, swept off a shelf.Fly, can I, just 'til I'm settled,down, beside my flower, petalled.”
Will Advise, Nothing is here...“We were bleeding information from the nose and ears, though dazed and disoriented was not how I experienced it. Most of the time, I felt like I was three years old, high on chocolate cake and social networks, constantly wired, ingesting information and news about information, books and books about books, data and metadata—I was, in other words, overstimulated yet gluttonous for more.”
Marilyn Johnson, This Book Is Overdue!: How Librarians and Cybrarians Can Save Us All“Fictional characters exert a great deal of influence over our choices in love by representing inaccessible ideals to which we try to make others conform, usually without success. But more subtly, too, the books we love offer a sketch of a whole universe that we secretly inhabit, and in which we desire the other person to assume a role.”
Pierre Bayard, How to Talk About Books You Haven't Read