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“I squeezed my eyes shut and took several deep breaths, trying not to smell Jace in front of me, not to taste him on my lips. But it was useless. In that moment, Jace was everywhere. He was in my mind, he was in my heart, and he was in my memory. He smelled good. He tasted good. And the blissful aftershock still throbbing in my most sensitive places felt wonderful, when everything else in my life was an obstacle to be overcome.”
Rachel Vincent“We are still living in the aftershock of Hiroshima, people are still the scars of history.”
Edward Bond“I’ve traveled this road for many decades and I still don’t know how to go. I am a wanderer, traversing mountains of time. There is no fault, only fault lines that tremor and quake, barring me, no warning. Aftershocks. -Broken Places”
Rachel Thompson“This is freedom. This is the face of faith, nobody getswhat they want. Never again are you the same. The longingis to be pure. What you get is to be changed. More and more byeach glistening minute, through which infinity threads itself.Also oblivion, of course, the aftershocks of somethingat sea. Here hands full of sand, letting it sift through in the wind, I look in and say take this, hurry. And if I listennow? Listen, I was not saying anything. It was onlysomething I did. I could not chose words. I am free to go.I cannot, of course, come back. Not to this. Never.It is a ghost posed on my lips. Here: never.”
Jorie Graham, Never“Can’t you see I’m starving?” asked a very large man in a very loud voice. His words were clipped, desperate and breathless.It was less a question than a demand. Less a shout than a gargle, as though the man spoke through a mouthful of gumballs and old chicken bones. His head was massive; a pregnant watermelon perched neckless atop a VW Bug. His swollen body oozed off the sides of his bed and rippled with aftershocks after each huffed syllable. Two EMT’s in ventilated hazmat suits circumnavigated the obese man like puffy yellow astronauts orbiting a small moon.“Sir, calm down. Please. We’re here to help you.”
Kingfisher Pink, Morbidly Obtuse“In those first hours after he drowned, when the catastrophe was still confined to Calabash beach, and to Jake, Joe and me, its speed was impossible to reconcile with its scale. Nothing so big could happen this fast; it defied the laws of physics, it could not be true. Death is too much for the mind to register in a matter of minutes; the incalculable magnitude can only be absorbed by increment, day by day. As each day allows a new glimpse of its immensity, and the aftershock extends beyond the beach to reach hundreds of people all over the world, my comprehension slowly expands until its dimensions resemble a more accurate impression of the truth. But the bigger his death grows, the more inconceivable it becomes. It feels like an ambitious piece of performance art; a work of fiction, not real life. How strange that the truth of my own situation should be so much clearer to everybody else.”
Decca Aitkenhead, All at Sea“An attraction to self-discovery and self-expression can be uplifting and assist us combat epic boredom. The toll of writing truthfully as possible can cause the writer to spiral emotionally out of control. Writing’s tempest temperament can prove a fatal attraction and many notable writers succumbed to the dark knight’s powerful sword. Too many writers and a cast of dead poets found themselves dangerously adrift on the flowing river of black ink interlocked in a life and death struggle with the creative streams of impulsion colliding with the rocky pods of madness. All artists must fight off the impulse to surrender to the aftershock of madness. The mad vein of stabbing pain that we might think belongs exclusively to ourselves is in actuality the capstone of the blood sport known as communal anxiety.”
Kilroy J. Oldster, Dead Toad Scrolls“It turns out that what money buys has rapidly diminishing emotional returns ... As long as we're not destitute, happiness depends less on getting what we want than appreciating what we already have.”
Robert B. Reich