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“I think I'll name her Amber - for the colour of her father's eyes.”
Kathleen Winsor“Without asking, he moved behind her and brushed her hair over her shoulder. Drawing the necklace around her neck, he fastened the clasp. The amber felt cool against her sweltering skin. Lifting it, she rotated the pendant, watching as it caught the light. "It's lovely." Before she could change her mind, she dug into her pocket and shoved the rest of the coins into his hand.”
Amber Argyle, Witch Song“Her honey-coloured hair fell in heavy wavesbelow her shoulders and as she stared up at him her eyes, clear, speckled amber, seemed to tilt at the corners; her brows were black and swept up in arcs, and she had thick black lashesh. There was about her a kind of warm luxuriance, something immediately suggestive to the men of pleasurable fulfillment- something for which she was not responsible but of which she was acutely conscious.”
Kathleen Winsor, Forever Amber“Are you sure this is a good idea?’ I ask.‘No,’ says Amber. ‘Let’s do it.”
Doug MacLeod, Siggy and Amber“That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a blob of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
Kurt Vonnegut Jr., Slaughterhouse-Five“That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a plop of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.”
Kurt Vonnegut Jr., Slaughterhouse-Five“Some of my old memories feel trapped in amber in my brain, lucid and burning, while others are like the wing beat of a hummingbird, an intangible, ephemeral blur.”
Mira Bartok, The Memory Palace