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“Everything in our background has prepared us to know and resist a prison when the gates begin to close around us . . . But what if there are no cries of anguish to be heard? Who is prepared to take arms against a sea of amusements? To whom do we complain, and when, and in what tone of voice, when serious discourse dissolves into giggles? What is the antidote to a culture's being drained by laughter?”
Neil Postman“Our politics, religion, news, athletics, education and commerce have been transformed into congenial adjuncts of show business, largely without protest or even much popular notice. The result is that we are a people on the verge of amusing ourselves to death.”
Neil Postman“Prior to the age of telegraphy, the information-action ratio was sufficiently close so that most people had a sense of being able to control some of the contingencies in their lives. What people knew about had action-value. In the information world created by telegraphy, this sense of potency was lost, precisely because the whole world became context for news. Everything became everyone's business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“With television, we vault ourselves into a continuous, incoherent present.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into--what else?--another piece of news. Thus we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“Typography fostered the modern idea of individuality, but it destroyed the medieval sense of community and integration”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“Of course, in television's presentation of the "news of the day," we may see the Now...this" mode of discourse in it's boldest and most embarrassing form. For there, we are presented not only with fragmented news but news without context, without consequences, without value, and therefore without essential seriousness; that is to say, news as pure entertainment.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“It is not necessary to conceal anything from a public insensible to contradiction and narcoticized by technological diversions”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“In every tool we create, an idea is embedded that goes beyond the function of the thing itself.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business“We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. But this was not all: Telegraphy also made public discourse essentially incoherent. It brought into being a world of broken time and broken attention, to use Lewis Mumford's phrase. The principle strength of the telegraph was its capacity to move information, not collect it, explain it or analyze it. In this respect, telegraphy was the exact opposite of typography.”
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business