Anachronism Quotes

“Underlying all these breaches is a single systemic security flaw, exactly 3.375 inches long. Credit card magstripes are a technological anachronism, a throwback to the age of the eight-track tape, and today the United States is virtually alone in nurturing this security hole.”

“What makes the prospect of death distinctive in the modern age is the background of permanent technological and sociological revolution against which it is set, and which serves to strip us of any possible faith in the permanence of our labours. Our ancestors could believe that their achievements had a chance of bearing up against the flow of events. We know time to be a hurricane. Our buildings, our sense of style, our ideas, all of these will soon enough be anachronisms, and the machines in which we now take inordinate pride will seem no less bathetic than Yorick's skull.”

“The ages live in history through their anachronisms.”

“A soldier is an anachronism of which we must get rid.”

“When you look on one of your contemporary 'good copies' of historical remains ask yourself the question: Not what style but in what civilization is this building? And the absurdity vulgarity anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.”

“Just as the attempts to preserve the power of knights in armor were doomed to fail in the face of gunpowder weapons, so the modern notions of nationalism and citizenship are doomed to be short-circuited by microtechnology. Indeed, they will eventually become comic in much the way that the sixteenth century. The cherished civic notions of the twentieth century will be comic anachronisms to new generations after the transformation of the year 2000. The Don Quixote of the twenty-first century will not be a knight-errant struggling to revive the glories of feudalism but a bureaucrat in a brown suit, a tax collector yearning for a citizen to audit.”

“my own definition of bad historical fiction hits these points:It fails to transport the reader to a former time.It fails to put the reader in another place.It fails to bring characters to life.It fails to make the reader shiver, sweat, sniffle, sneer, snarl, weep, laugh, gag, ache, hunger, wince, yearn, lust, lose sleep, empathize, hate, or need to go potty.It seems dubious.It has characters who seem too good or too bad to be true.It has anachronisms.It has clichés and stereotypes.Its writing style distracts the reader from the narrative.It takes historic license with times and facts.It is pointless.It is carelessly written.It is easy to put down.”

“Philosophy, which once seemed outmoded, remains alive because the moment of its realization was missed. The summary judgement that it had merely interpreted the world is itself crippled by resignation before reality, and becomes a defeatism of reason after the transformation of the world failed. It guarantees no place from which theory as such could be concretely convicted of the anachronism, which then as now it is suspected of. Perhaps the interpretation which promised the transition did not suffice. The moment on which the critique of theory depended is not to be prolonged theoretically. Praxis, delayed for the foreseeable future, is no longer the court of appeals against self-satisfied speculation, but for the most part the pretext under which executives strangulate that critical thought as idle which a transforming praxis most needs. After philosophy broke with the promise that it would be one with reality or at least struck just before the hour of its production, it has been compelled to ruthlessly criticize itself.”

“Without entering here into a dissertation upon the historical romance, it may be said that in proper hands it has been and should continue to be one of the most valued and valuable expressions of the literary art. To render and maintain it so, however, it is necessary that certain well-defined limits should be set upon the licence which its writers are to enjoy; it is necessary that the work should be honest work; that preparation for it should be made by a sound, painstaking study of the period to be represented, to the end that a true impression may first be formed and then conveyed. Thus, considering how much more far-reaching is the novel than any other form of literature, the good results that must wait upon such endeavours are beyond question. The neglect of them—the distortion of character to suit the romancer's ends, the like distortion of historical facts, the gross anachronisms arising out of a lack of study, have done much to bring the historical romance into disrepute.”

“We must picture Oxford, during World War I, not as the neomedieval paradise it would like to be, but as the military compound it was obliged to become.”