Aussie author Quotes

“I truly love Australia I miss Aussie kids and their attitude! ”

“I truly love Australia I miss Aussie kids and their attitude! ”

“The Americans love Aussies, but they're actually quite afraid of us at the same time because they think we're insane. Then they see our sports - league, union, and AFL - and that makes them even more worried.”

“But still she stood, ready to get back at it. Badass and admirable.”

“the most important things can't be lassoed with language. The most important things can only be felt.”

“I'm still shy," I admit, pulling the sleeves over my hands, "and I might always be, I don't know, but I think you can be shy and still feel okay about yourself at the same time.”

“Do not define me by my gender or my socio-economic status, Noah Willis. Do not tell me who I am and do not tell me who society thinks I am and then put me in that box and expect me to stay there. Because, I swear to God, I will climb the hell out of that box and I will take that box you've just put me in and I will use that box to smash your face in until you're nothing more than a freckly, bloodied pulp. You got that, sweet cheeks?”

“love, real love, comes with three conditions - respect, kindness and trust. It isn't, and should never be, unconditional.”

“It would seem that the author’s name, unlike other proper names, does not pass from the interior of a discourse to the real and exterior individual who produced it; instead, the name seems always to be present, marking off the edges of the text, revealing, or at least characterizing, its mode of being. The author’s name manifests the appearance of a certain discursive set and indicates the status of this discourse within a society and a culture. It has no legal status, nor is it located in the fiction of the work; rather, it is located in the break that founds a certain discursive construct and its very particular mode of being. As a result, we could say that in a civilization like our own there are a certain number of discourses that are endowed with the “author-function”, while others are deprived of it. A private letter may well have a signer_ it does not have an author; a contract may well have a guarantor_ it does not have an author. An anonymous text posted on a wall probably has a writer_ but not an author. The author-function is therefore characteristic of the mode of existence, circulation, and functioning of certain discourses within a society.”

“The truth is quite the contrary: the author is not an indefinite source of significations which fill a work; the author does not precede the works, he is a certain functional principle by which, in our culture, one limits, excludes, and chooses; in short, by which one impedes the free circulation, the free manipulation, the free composition, decomposition, and recomposition of fiction. In fact, if we are accustomed to presenting the author as a genius, as a perpetual surging of invention, it is because, in reality, we make him function in exactly the opposite fashion. One can say that the author is an ideological product, since we represent him as the opposite of his historically real function. (When a historically given function is represented in a figure that inverse is, one has an ideological production). The author is therefore the ideological figure by which one marks the manner in which we fear the proliferation of meaning.In saying this, I seem to call for a form of culture in which fiction would not be limited by the figure of the author…”

“As a result, we must entirely reverse the traditional idea of the author. We are accustomed, as we have seen earlier, to saying that the author is the genial creator of a work in which he deposits, with infinite wealth and generosity, an inexhaustible world of significations. We are used to thinking that the author is so different from all other men, and so transcendent with regard to all languages that, as soon as he speaks, meaning begins to proliferate, to proliferate indefinitely.”