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“I have made bouquets of pleats, bouquets of flowers, bouquets of ruffles, bouquets of feathers. Often I design in mousseline, held tightly around the waist, and with something else going on all around.”
Giambattista Valli“Let’s not wait until the light fades into irreparable loss, but let’s stay in the loop and pursue the momentous flow of daily little wonders, since life kindly tenders us gorgeous bouquets of sparkling colors, telling signs and rousing episodes. (“Côté cour…Côté jardin”)”
Erik Pevernagie“It looks as if Hollywood brides keep the bouquets and throw away the groom.”
Groucho Marx“You and your sister are very dear to each other. To show your regard, you give each other lovely bouquets of lies.”
Holly Black, The Darkest Part of the Forest“It’s funny how many ways there are to hurt people. As many ways to hurt as there are species of flower. Whole bouquets of hurt.”
Joshua Gaylord, When We Were Animals“However, amidst the bouquets of laughter that people tried to gift me, there was that memory of yours, lips curled up in a fashion, which makes my heart skip a beat even now. And then the happiness felt incomplete, because I missed you, missed you everyday more than the previous day.”
Anmol Rawat, A Little Chorus of Love“... from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps.”
Anne Rice, Interview with the Vampire“Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders "l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense.”
Maurice Merleau-Ponty, Signs