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“He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished."Alright?" He raised his eyebrows inquiringly."Yes. Exactly."It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... "What was that piece?" "A Brahms waltz.""Hasn't it got a name?" she wanted it to remember."Number fifteen. Opus thirty-nine." It hadn't sounded like numbers to Ruth.”
K.M. Peyton“A singer whose ear is singly directed to the melodic aspects of a Brahms lied or a Verdi aria lacks perception of the musical web from which the melodic line emerges; the composer's intent may remain unrealized. to sing Schubert, Schumann, Brahms, Wolf, or Strauss lieder without an understanding of underlying harmonic structures is to vocalize on them, not to conceive of them musically and emotionally.”
Richard Miller, Solutions for Singers: Tools for Performers and Teachers“He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished.'Alright?' He raised his eyebrows inquiringly.'Yes. Exactly.'It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... 'What was that piece?''A Brahms waltz.''Hasn't it got a name?' she wanted it to remember.'Number fifteen. Opus thirty-nine.'It hadn't sounded like numbers to Ruth.”
K.M. Peyton, The Beethoven Medal“Without craftsmanship, inspiration is a mere reed shaken in the wind.”
Johannes Brahms“If there is anyone here whom I have not insulted I beg his pardon.”
Johannes Brahms