Browning Quotes

“Love, hope, fear, faith - these make humanity; These are its sign and note and character”

“I noticed that a woman on Goodreads said something like, “I was reading along in the beginning thinking, okay, a woman wrote this, there’s her picture, she’s a white lady, the narrator’s a white lady. And then suddenly she says something and you realize she’s a he. And then a few pages later you realize he’s ‘brown.’ I think the author could have been a little more up front about this.” :) It made me happy because in fact I thought everybody would pick the book up, read the back cover, and know they were dealing with a woman writer speaking through a male narrator. Which is a drag, actually, because if you didn’t know the author was a woman, you’d probably assume that an unmarked first-person narrator was a man, but if you knew she was a woman you’d assume her narrator was too. And if you didn’t know the race of the author, you’d probably assume the narrator was white. That’s pretty insidious, of course - it’s the way sexism and racism work. I’m not saying this woman on Goodreads was racist or sexist, I’m saying the fact that we make these assumptions signals that we live in a world that presumes that an unmarked voice is white and male, and that women and people of color will generally be writing from a limited perspective. I guess that’s obvious. But what I was saying about this comment was that it made me realize something else about ebooks - because I can only assume she read it as an ebook if she didn’t get the back jacket copy that explains who’s narrating. I love books, print books, and my own optimal experience of reading this book would be in print, with short breaks to periodically check out the Internet connections that the narrator’s making. But I do think that decontextualization is an interesting side-effect of the ebook…”

“Earth is crammed with heaven, and every bush is aflame with the glory of God. But only those who see take of their shoes; the rest just pick the berries.”

“In this world, who can do a thing, will not;And who would do it, cannot, I perceive:Yet the will's somewhat — somewhat, too, the power —And thus we half-men struggle.”

“Yes," I answered you last night;"No," this morning, sir, I say.Colours seen by candlelightWill not look the same by day.”

“Who hears music, feels his solitudePeopled at once.”

“He seems to be supporting her tenderly. But what holds them together is difficult to pin down.In her memoir, she wrote that he once dropped her on her hip very painfully, and she had the distinct impression he’d done it on purpose.What really goes on between two people is very difficult to say.”

“Chemistry has the same quickening and suggestive influence upon the algebraist as a visit to the Royal Academy, or the old masters may be supposed to have on a Browning or a Tennyson. Indeed it seems to me that an exact homology exists between painting and poetry on the one hand and modem chemistry and modem algebra on the other. In poetry and algebra we have the pure idea elaborated and expressed through the vehicle of language, in painting and chemistry the idea enveloped in matter, depending in part on manual processes and the resources of art for its due manifestation.”

“Bhagat Singh revered Lajpat Rai as a leader. But he would not spare even Lajpat Rai, when, during the last years of his life, Lajpat Rai turned to communal politics. He then launched a political-ideological campaign against him. Because Lajpat Rai was a respected leader, he would not publicly use harsh words of criticism against him. And so he printed as a pamphlet Robert Browning’s famous poem, ‘The Lost Leader,’ in which Browning criticizes Wordsworth for turning against liberty. The poem begins with the line ‘Just for a handful of silver he left us.’ A few more of the poem’s lines were: ‘We shall march prospering, not thro’ his presence; Songs may inspirit us, not from his lyre,’ and ‘Blot out his name, then, record one lost soul more.’ There was not one word of criticism of Lajpat Rai. Only, on the front cover, he printed Lajpat Rai’s photograph!”

“The cure for our modern maladies is dirt under the fingernails and the feel of thick grass between the toes. The cure for our listlessness is to be out within the invigorating wind. The cure for our uselessness is to take back up our stewardship; for it is not that there has been no work to be done, we simply have not been attending to it.”