Chicago rebels Quotes

“I . . . hurried to the city library to find out the true age of Chicago. City library! After all, it cannot be anything but Chicagoesque. His is the richest library, no doubt, as everything in Chicago is great in size and wealth. Its million books are filling all the shelves, as the dry goods fill the big stores. Oh, librarian, you furnished me a very good dinner, even ice cream, but—where is the table? The Chicago city library has no solemnly quiet, softly peaceful reading-room; you are like a god who made a perfect man and forgot to put in the soul; the books are worth nothing without having a sweet corner and plenty of time, as the man is nothing without soul. Throw those books away, if you don't have a perfect reading-room! Dinner is useless without a table. I want to read a book as a scholar, as I want to eat dinner as a gentleman. What difference is there, my dearest Chicago, between your honourable library and the great department store, an emporium where people buy things without a moment of selection, like a busy honey bee?The library is situated in the most annoyingly noisy business quarter, under the overhanging smoke, in the nearest reach of the engine bells of the lakeside. One can hardly spend an hour in it if he be not a Chicagoan who was born without taste of the fresh air and blue sky. The heavy, oppressive, ill-smelling air of Chicago almost kills me sometimes. What a foolishness and absurdity of the city administrators to build the office of learning in such place of restaurants and barber shops!Look at that edifice of the city library! Look at that white marble! That's great, admirable; that means tremendous power of money. But what a vulgarity, stupid taste, outward display, what an entire lacking of fine sentiment and artistic love! Ah, those decorations with gold and green on the marble stone spoil the beauty! What a shame! That is exactly Chicagoesque. O Chicago, you have fine taste, haven't you?”

“Chicago is an October sort of city even in spring.”

“... Chicago divided your heart. Leaving you loving the joint for keeps. Yet knowing it never can love you.”

“Chicago does not go to the world, the world comes to Chicago! Who needs New York? Who has taller buildings than our tall buildings? Who's got a busier airport than our airport? You want Picasso? We got Picasso, big Picasso. Nobody can make heads or tails of it. It's a lion? No, a seahorse. Looks to me like a radiator with wings. Who gives a damn, people, a Picasso's a Picasso.”

“I am consoled only to see that I was not mistaken: Chicago is just as I remembered it. I was here twenty five years ago. My father brought me and Scott up to see the Century of Progress and once later to the World Series. Not a single thing do I remember from the first trip but this: the sense of the place, the savor of the genie-soul of the place which every place has or else is not a place. I could have been wrong: it could have been nothing of the sort, not the memory of a place but the memory of being a child. But one step out into the brilliant March day and there it is as big as life, the genie-soul of the place Which, wherever you go, you must meet and master first thing or be met and mastered. Until now, one genie-soul and only one ever proved too strong for me: San Francisco—up and down the hills I pursued him, missed him and was pursued, by a presence, a powdering of fall gold in the air, a trembling brightness that pierced to the heart, and the sadness of coming at last to the sea, the coming to the end of America. Nobody but a Southerner knows the wrenching rinsing sadness of the cities of the North. Knowing all about genie-souls and living in haunted places like Shiloh and the Wilderness and Vicksburg and Atlanta where the ghosts of heroes walk abroad by day and are more real than people, he knows a ghost when he sees one, and no sooner does he step off the train in New York or Chicago or San Francisco than he feels the genie-soul perched on his shoulder.”

“Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating.”

“Chicago's one of the rare places where architecture is more visible.”

“The Cool Kids are Chicago. Me being from Michigan is a part of that dynamic.”

“I've been in Chicago for every Christmas of my life.”