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“His eyes forward didn’t deviate from the off-road trail, his chiseled jaw gripped shut during the ride. He didn’t release any sound of explanation until we arrived.”
Jazz Feylynn“Jaws 4 is so bad it makes Jaws 3 look like Jaws 2.”
Neil Perryman, Adventures With the Wife in Space: Living With Doctor Who“If you have food in your jaws you have solved all questions for the time being.”
Franz Kafka, Investigations of a Dog“Sharks have everything a scientist dreams of. They're beautiful―God, how beautiful they are! They're like an impossibly perfect piece of machinery. They're as graceful as any bird. They're as mysterious as any animal on earth. No one knows for sure how long they live or what impulses―except for hunger―they respond to. There are more than two hundred and fifty species of shark, and everyone is different from every other one.”
Peter Benchley, Jaws“Nod house turned into shouthouse. In the shout house memorysaid shut up. It said silence,misery said amen, the mule'sheadmeant my stubborn lungs. . .I stoodimagining I fell back dreaming,stuck tongue stuck in my jawbrokemy jaw”
Nathaniel Mackey, Nod House“Revenge tightens the heart as much as the jaw. (La vengeance serre le cœur - Autant que la mâchoire)”
Charles de Leusse“The past always seems better when you look back on it than it did at the time. And the present never looks as good as it will in the future.”
Peter Benchley, Jaws“There's nothing in the sea this fish would fear. Other fish run from bigger things. That's their instinct. But this fish doesn't run from anything. He doesn't fear.”
Peter Benchley, Jaws“To keep your he-man jaw muscles from smashing your precious teeth, the only set you have, the body evolved an automated braking system faster and more sophisticated than anything on a Lexus. The jaw knows its own strength. The faster and more recklessly you close your mouth, the less force the muscles are willing to apply.”
Mary Roach“He stares now at the three words he has written.They are ridiculous. Writing is ridiculous. A sentence, any sentence, is absurd. Just the idea of it; jam one word up against another, shoulder-to-shoulder, jaw-to-jaw; hem them in with punctuation so they can't move an inch. And then hand that over to someone else to peer at, and expect something to be communicated, something understood. It's not just pointless. It is ethically suspect.”
Jo Baker, A Country Road, A Tree