Cinematography Quotes

“I thought of learning cinematography, so I assisted a cinematographer for an ad.”

“I thought of learning cinematography, so I assisted a cinematographer for an ad.”

“Cinematography is infinite in its possibilities... much more so than music or language.”

“And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.”

“I like movies where you can come back and re-watch them and admire the cinematography 25 years later.”

“Right before 'American Dreams,' I started to pursue these avenues, like short films and getting into a couple night courses to really study photography and cinematography, and the language of visual storytelling.”

“Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.”

“When I came home, I was asked to put my pictures in a photo exhibit at the Cinematography College ... my pictures won first prize. I began to ask myself what I was doing, and why. A few months after the exhibit, I dropped out of college, left my wife and began to write this book.”

“Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.”

“I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.”

“Everything else - music, cinematography, costumes, design, acting - can be judged at face value. But when you're looking at editing, you don't know what the totality of the material was, and you don't know the working dynamic between a director and an editor - whether the editor was micromanaged or given free rein. It's very difficult.”