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... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.

Frederick Buechner
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... the world can give you these glimpses as well as fairy tales can--the smell of rain, the dazzle of sun on white clapboard with the shadows of ferns and wash on the line, the wildness of a winter storm when in the house the flame of a candle doesn't even flicker.

Frederick Buechner, Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale
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There were the Newport hills, far up the bay, marked now by a rim of lights. There was the water, a blue shimmer under the sun, a black mirror after dark, somehow alive, a living thing that tied it all together, the houses hugging the rim and the people in them, drawn there to be beside the bay. The water had been there in the beginning, the beautiful bay all alone; and now the houses had crowded about it, hemming it in a row of stucco and brick and white clapboard. Someday the bay would be alone again. When The Thing went off. When all of the houses would be blown away. There would be floating rubble, a border of broken trash for a little while.

Dolores Hitchens, The Watcher
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The print was an old one made from a negative taken in the 1960’s of her parents in Sydney Mines, dancing with thrilled, excited expressions on their faces, in front of a classic car that had been a wedding gift at the time. Her mother’s hair, red back then, was held back by a blue handkerchief, and she was dressed in a billowing skirt and white blouse. Her father’s denim jeans and faded t-shirt were streaked with coal dust as he held her hands and spun her around in the front yard of their old clapboard house, yellow grass under their feet and a cobalt-blue sky with white clouds drifting above. Mandy could almost feel the late summer breeze as she gazed deeply into the print, watching the flamboyant colors come to life. She hung it up to dry on two wooden clothespins hanging from a string above her.

Rebecca McNutt, Super 8: The Sequel to Smog City
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