Classical Quotes

“I had artistic classical training, and when you learn the classics for so many years, you might gain audacity, power and confidence to subvert everything. I am like the originals buffoons. I love the rules because I can break them.”

“I had artistic classical training, and when you learn the classics for so many years, you might gain audacity, power and confidence to subvert everything. I am like the originals buffoons. I love the rules because I can break them.”

“The Hartle-Hawking derivation of the unconditional probability of the existence of a universe of our sort is inconsistent with classical theism. The unconditional probability is very high, near to 1. For purposes of simplification, we are saying the probability is 99 percent; there is a 99 percent probability that a universe of our sort—I will call it a Hartle-Hawking universe—exists uncaused.The universe exists uncaused since the probability amplitude is determined by a summation or path integral over all possible histories of a finite universe. That is, the probability that a Hartle-Hawking universe exists follows directly from the natural-mathematical properties of possible finite universes; there is no need for a cause, probabilistic or otherwise, for there to be a 99 percent probability that a Hartle-Hawking universe will exist.This is not consistent with classical theism. According to classical theism, if a universe is to have any probability of existing, this probability is dependent on God's dispositions, beliefs, or choices. But the Hartle-Hawking probability is not dependent on any supernatural states or acts; Hartle and Hawking do not sum over anything supernatural in their path integral derivation of the probability amplitude.Furthermore, according to classical theism, the probability that a universe exist without divine causation is 0, and the probability that if a universe exists, it is divinely caused, is 1. Thus, the probabilities that are implied by classical theism are inconsistent with the probabilities implied by the Hartle-Hawking wave function of the universe.”

“I shall never be converted, and I shall remain true to my old religion of the classics until my life's end.”

“I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.”

“The Classic games were Classic because, like classical music or architecture, they strove to give life and weight to ideals of order and proportion, to provide a vision of timelessness. In 'Double Dragon,' we can see the cracks in the brick, the mold growing on the drainage pipes, the unmistakable deterioration of the world we live in.”

“Bach's simple and basic themes ultimately engage and appeal to my adolescent side while the seemingly complex arrangements, though perhaps patronizingly in some cases, also reflect my juvenile perception of what looks and sounds 'grown-up,' intelligent, refined and sophisticated. There were few composers and musicians in my youth that I could say understood me and really got me, almost all were classical. J. S. Bach was one one of them.”

“If Music is a Place -- then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple.”

“The theoretical determination of the fine structure constant is certainly the most important of the unsolved problems of modern physics. We believe that any regression to the ideas of classical physics (as, for instance, to the use of the classical field concept)cannot bring us nearer to this goal. To reach it, we shall, presumably, have to pay with further revolutionary changes of the fundamental concepts of physics with a still farther digression from the concepts of the classical theories.”

“There is a widespread belief about quantum mechanics, as also about relativity, that it is something that one is entitled to ignore for most ordinary philosophical and scientific purposes, since it only seriously applies at the micro level of reality; where 'micro' means something far smaller than would show up in any conventional microscope. What sits on top of this micro level, so the assumption runs, is a sufficiently good approximation of the old classical Newtonian picture to justify our continuing, as philosophers, to think about the world in essentially classical terms. I believe this to be a fundamental mistake. What I shall be arguing...is that the world is quantum-mechanical through and through; and that the classical picture of reality is, even at the microscopic level, deeply inadequate.”

“Certainly, we can no longer look upon the canon of Western art - Greco-Roman as revived, extended, and graced by the Renaissance - as -the- tradition in art, or even any longer as distinctly and uniquely -ours-. That canon is in fact only one tradition among many, and indeed in its strict adherence to representational form is rather the exception in the whole gallery of -human- art. Such an extension of the resources of the past, for the modern artist, implies a different and more comprehensive understanding of the term "human" itself: a Sumerian figure of a fertility goddess is as "human" to us as a Greek Aphrodite. When the sensibility of an age can accommodate the alien "inhuman" forms of primitive art side by side with the classic "human" figures of Greece or the Renaissance, it should be obvious that the attitude toward man that we call classical humanism - which is the intellectual expression of the spirit that informs the classical canon of Western art - has also gone by the boards.”