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“Yeah, you’re right about having entire rooms full of film and photos… in that Sydney Mines house I have a darkroom, I have boxes of film and home movie footage… I have a few projectors, I have piles of Kodachrome slides… I like photographs. The world is always running away from society and the only way to keep the stuff that’s happened in the past is by taking photographs, I can keep memories of things alive with photographs,” Alecto responded. “People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines… The steel mill, the coal mines, the train tracks, the smog in the sky, I’ve been able to rescue it on super-8 and Kodachrome, and no one can remediate those photographs, I can keep them as long as I want to.”
Rebecca McNutt“Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.“Your father? Why?” I ask.“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.“What? You’re making that up!” I exclaim.“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.“Oh, please,” I say, laughing.“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”“Without success,” I add.“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”“I am now,” I say.“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.”
Suzanne Collins, The Hunger Games“Coal mines, like a hard life, have seen the best diamonds of innovation, more than any jewel factory.”
Vikrmn, 10 Golden Steps of Life“...imagine anybody having lived forty-five or fifty years without knowing Hamlet! One might as well spend one's life in a coal mine.”
Hector Berlioz, Life and Letters of Berlioz“At times you feel like you're the only voice speaking out to improve the working conditions of people, whether it's to be able to collectively bargain, to get adequate pay, to know that you can come home safe out of a coal mine.”
Hilda Solis“A coal miner from Chongjin whom I met in 2004 in China told me, "People are not stupid. Everybody thinks our own government is to blame for our terrible situation. We all know we think that and we all know that everybody else thinks that. We don't need to talk about it.”
Barbara Demick, Nothing to Envy: Ordinary Lives in North Korea“Wyoming is a special place: Where our farmers and ranchers rise before dawn and work until night to feed our nation. Where our coal miners and oil field workers produce the energy that powers America's homes and businesses, and where our families are guided by faith, know the value of hard work, and deeply love our land.”
Liz Cheney“Who constitutes the nation? Only the elite?Or do the hundreds of millions of poor in India also make up the nation? Are their interests never identified with national interest? Or is there more than one nation? That is the question you often run up against in some of India's poorest areas. Areas where extremely poor people go into destitution making way for firing ranges, jet fighter plants, coal mines, power projects, dams, sanctuaries, prawn and shrimp farms, even poultry farms. If the costs they bear are the 'price' of development, then the rest of the 'nation' is having one endless free lunch.”
P.Sainath“My father was a Catholic, a coal miner in the Big Pit. My mother a Jew. A charwoman, when she could find the work. They didn’t fit in Wales. Nor in the U.K., either. They didn’t fit with each other all that well, for that matter. They fought every day for as long as I can remember and loved each other more than anyone I’ve ever known. At least they did right up till a night when he looked right and not left at a train crossing in Chepstow and ended up half a mile from where he’d started, dead as the Ghost. Looking for a job, he was. Turned out he didn’t need one.”
Patrick Reinken, Omicron