Commentary Quotes

“In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art."No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.”

“Commentary would come to life in 1945 amid widespread predictions that mass unemployment would resume as soon as war production ebbed. But it wouldn’t take long after the war to see that the dire prophecies had failed. It became clear that Western democracy was far from finished”

“Two people, two hands, and two songs, in this case "Big Shot" and "Bette Davis Eyes." The lyrics of the two songs provided no commentary, honest or ironic, on the proceedings. They were merely there and always underfoot, the insistent gray muck that was pop culture. It stuck to our shoes and we tracked it through our lives.”

“To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.”

“… A wonderful collection of truths, and almost all are inconvenient’.‘… Something here to offend everyone’.‘… Everything from burlesque to parody, and with a sprinkling of serious commentary to confound the believers’.In the interest of balance however, here are some quotes from reviews which might have been written by others less inclined to view Heresies favorably. Again, I have undertaken this task on their behalf:“…a random assortment of schoolboy jokes. Possibly enjoyable for those who like juvenile humour – assuming they find it funny at all.”“The attempts at serious commentary are laughable, while the so-called heretical viewpoints are the unfunny fancies of a feeble mind.”“… Betrays an underlying resentment – disguised as ‘heresy’ – of those of eminence and achievement in music’s historical record.”Hmm. Can they all be right?”

“I recall once seeing a commentary advertised as having been written in prison without recourse to other commentaries and by reliance on the Holy Spirit alone. I doubt whether those last two phrases are complementary. If God has set teachers in the church (1 Cor. 12:28; Eph. 4:11) and many have written books, can good come out of ignoring them, let along parading that ignorance as glorifying God? God's work is never a one-man show. The one who represents the visible part of the iceberg must ever ackowledge his or her debt to others. I like to remember that the First Epistle to the Corinthians was from Paul and Sosthenes (1 Cor. 1:1) and that the Epistle to the Colossians was from Paul and Timothy.”

“A person who speaks like a book is exceedingly boring to listen to; sometimes, however, it is not inappropriate to talk in that way. For a book has the remarkable property that it can be interpreted any way you wish. If one talks like a book one’s conversation acquires this property too. I kept quite soberly to the usual formulas. She was surprised, as I’d expected; that can’t be denied. To describe to myself how she looked is difficult. She seemed multifaceted; yes just about like the still to be published but announced commentary to my book, a commentary capable of any interpretation. One word and she would have laughed at me; another and she would have been moved; still another and she would have shunned me; but no such word came to my lips. I remained solemnly unemotional and kept to the ritual.― ‘She had known me for such a short time’, dear God, it’s only on the strait path of engagement one meets such difficulties, not the primrose path of love.”―from_Either/Or: A Fragment of Life_. Abridged, Translated and with an Introduction and Notes by Alastair Hannay, p. 312”

“The book of Jonah becomes an embarrassing and public reading of your family business. (page iii)”

“No actions, no results. Everything else is a commentary.”