Congo Quotes

“My journey through the Congo had its ow unique category. It did not quite do it justice to call it adventure travel, and it certainly wasn't pleasure travel. My Congo journey deserved its own category: ordeal travel. At every turn I faced challenges, difficulties and threats when in the Congo. The challenge was to assess and choose the option best suited to making progress. But there were moments when there were no alternatives, or shortcuts or clever ideas. At these times, ordeal travel became really no ordeal at all.”

“My journey through the Congo had its ow unique category. It did not quite do it justice to call it adventure travel, and it certainly wasn't pleasure travel. My Congo journey deserved its own category: ordeal travel. At every turn I faced challenges, difficulties and threats when in the Congo. The challenge was to assess and choose the option best suited to making progress. But there were moments when there were no alternatives, or shortcuts or clever ideas. At these times, ordeal travel became really no ordeal at all.”

“Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries.It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism.The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered. ”

“He [Stanley] had stated that he longed to do something wonderful for the African tribes along the Congo, and instead, as would become all too apparent, had set them up for a terrible fate. In 1877 he came down the great river as the first European ever to do so, declaring his hope that the Congo should become like `a torch to those who sought to do good'." Instead, it became the torch that attracted the archexploiter King Leopold II of Belgium.”

“the normal laws of development are inverted here in the Congo. The forest, not the town, offers the safest sanctuary and it is grandfathers who have been more exposed to modernity than their grandchildren. I can think of nowhere else on the planet where the same can be true.” p141”

“The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.”

“As so often happens in politics, what appears to be politically expedient for those in power rarely overlaps with the public interest. The lesser evils of the regime become entrenched, while the greater good is never realized.”

“The teeth are smiling but is the heart?”

“bonobos, related to chimpanzees and native to the Congo, have been found to engage in French kissing.”

“Come Judgment Day, we may find that Mumbo Jumbo the God of the Congo was the Big Boss all along.”

“His management philosophy, tempered in his rain-dancing days, was always to give the project to whoever had the most to gain from success--or the most to lose from failure.”