Corridor Quotes

“The success gate is far at the end of the long failure corridor. Keep moving no matter how many potholes you step into. You will get there with time!”

“The cost is minimal, but one of the things that you want in a universal design is to make the plan as open as you can... and to still have walls around bedrooms and that sort of thing, and to keep the corridors wide enough so the wheelchair can do a 360 in the corridor.”

“...at least that would explain the weeping and moaning emanating from the woman’s bedroom at night. It woke her regularly and created an illusion which suggested disembodied spirits roamed the corridors. And if there was one thing Melba would not have it was disembodied spirits roaming the corridors...”

“A New Year has tiptoed in.Let’s go forward to meet it.Let’s welcome the 365 days it brings.Let’s live well with love in our hearts towards God and all people.Let’s walk through it’s corridors with praise songs on our lips.”

“You have your orders,” Mab shouted at the guards. “To the Deeps with her.” The men led me from the great hall, taking me along a series of corridors to the back of the castle, then winding through another long corridor and into a spiraling stairwell that appeared to have no end. We went further and further down until finally it ended so deep in the ground it felt like a grave. My pulse quickened as we reached the bottom. A single dark door lay ahead.”

“Tracey hurriedly shut the door behind her to prevent the flames that had been licking hungrily at her caboose all the way down the corridor, from following her inside. Then, almost falling into one of the gravity couches, she hurriedly strapped herself into it before punching the emergency release. She hoped the escape system still worked. It did. The explosive dead-bolts fired, shaking the pod loose, dislodging it from the rapidly disintegrating wreck, just about shaking the crap out of her on its bone-jarring way into the great wide open.”

“He had gone again and, emboldened by his first successful trip, had chosen a different sort of world to enter, that of THE MONK. He had studied the book with great care and finally selected a passage that was purely descriptive.The result was the same. The instant he closed the top of the showcase, he was transported to the world described in the open pages. He found himself standing - and shivering - in a dank corridor that, he knew, was far underground. Feeble candlelight flickered in the distance, off to his left. Water dripped down the gleaming walls and startled rats scurried past his feet. The air was stale and unpleasant. Down the corridor to his left, he could hear singing but could not make out the words. Then suddenly, from his right, he heard a woman's high-pitched scream, its sound caroming off the wet, stone walls of the passageway. He jumped, his skin crawling at the back of his neck.And found himself back in his warm and familiar room.("I Shall Not Leave England Now")”

“Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow.The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole.Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the farend, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap.That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself.I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.”

“The corridors of success are illuminated more by our emotions.”