Cressida Quotes

“Because: Love Never Dies, What is Within is More Important than What is Without, The Best is Not Always the Most Obvious and Once You've Loved Truly, Thor, then You Know the Way”

“History is a set of repeating circles, like the tide. The wind does blow through the ruins of tomorrow. But it is more a question of two steps forward, one step back. Humans and dragons make the same mistakes, again and again, but things do get better over time”

“I wanted to be a King who would found a New World, not in some misty country far across the seas, but right here, right now, at home.”

“Shakespeare's bitter play [Troilus and Cressida] is therefore a dramatization of a part of a translation into English of the French translation of a Latin imitation of an old French expansion of a Latin epitome of a Greek romance. (p. 55)”

“I think about going to the lake, but I'm so weak that I barely make it to mymeeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pairof lips.”

“Bouchalka was not a reflective person. He had his own idea of what a great prima donna should be like, and he took it for granted that Mme. Garnet corresponded to his conception. The curious thing was that he managed to impress his idea upon Cressida herself. She began to see herself as he saw her, to try to be like the notion of her that he carried everywhere in that pointed head of his. She was exalted quite beyond herself. Things that had been chilled under the grind came to life in her that winter, with the breath of Bouchalka’s adoration. Then, if ever in her life, she heard the bird sing on the branch outside her window; and she wished she were younger, lovelier, freer. She wished there were no Poppas, no Horace, no Garnets. She longed to be only the bewitching creature Bouchalka imagined her.”

“If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida--hardly comedy at all--where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend.”

“Pleasure and revenge have ears more deaf than adders to the voice of any true decision.”

“That is a terrible plan.""Hiccup's plans are always t-terrible.""Hey! You're still here, aren't you?”