Critics Quotes

“Being a critic is easy.But if the critic tries to run the operation, he soon understands that nothing is as easy as his criticisms.Criticism without a solution is merely an inflation of the critic's ego.”

“If God has given you a mission, you must be tough enough to handle what people say and still not be distracted while doing what you were created to do. Are you tough enough? God and the enemy know the truth about you, and remember even great people doing great things for great causes meet negative criticisms. All criticism is not bad, just like all flattery is not good. Many times people don’t criticize you because they are evil; they do it because they have been trained to think anyone who doesn't perceive and see things in the same manner is an enemy. The critic is a prisoner to his own experiences and perspectives, erroneously believing his limited experiences are the sum of all truth. When you acknowledge your critics, you give them your power and validate their words. They are not important until you respond.”

“It is not my methodology to engage too much with critics for many reasons:- I honestly believe that my ego is not worthy of my having to defend it. There are far more important things in the ummah than me having to respond to critics.- By and large, criticism is a part of human life and nature and we have ourselves to accomplish more than just responding to what people say about us.- The best way to silence the speech of the critics it through the deafening noise of your own actions.- Criticising is the job that requires zero qualifications.”

“Critics are biased and so are readers. (Indeed a critic is a bundle of biases held loosely together by a sense of taste.) But intelligent readers soon discover how to allow for the windage of their own and a critic's prejudices.”

“If you love my work, you are a good critic. If you do not love my work, you are a 'not good' critic.”

“How is he made? Oftentimes bitter, sometimes sweet, seldom even wide-awake, architectural criticism of "the modern" wholly lacks inspiration or any qualification because it lacks the appreciation that is love: the flame essential to profound understanding. Only as criticism is the fruit of such experience will it ever be able truly to appraise anything. Else the spirit of true criteria is lacking. That spirit is love and love alone can understand. So art criticism is usually sour and superficial today because it would seem to know all about everything but understand nothing. Usually the public prints afford no more than a kind of irresponsible journalese wholly dependent upon some form of comparison, commercialization or pseudo-personal opinion made public. Critics may have minds of their own, but what chance have they to use them when experience in creating the art they write about is rarely theirs? So whatever they may happen to learn, and you learn from them, is very likely to put over on both of you as it was put over on them. Truth is seldom in the critic; and either good or bad, what comes from him is seldom his. Current criticism is something to take always on suspicion, if taken at all.”

“[The critic] serves up his erudition in strong doses; he pours out all the knowledge he got up the day before in some library or other, and treats in heathenish fashion people at whose feet he ought to sit, and the most ignorant of whom could give points to much wiser men than he.Authors bear this sort of thing with a magnanimity and a patience that are really incomprehensible. For, after all, who are those critics, who with their trenchant tone, their dicta, might be supposed sons of the gods? They are simply fellows who were at college with us, and who have turned their studies to less account, since they have not produced anything, and can do no more than soil and spoil the works of others, like true stymphalid vampires.”

“To fail, try to please your critics. To please your critics, try to fail.”

“For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it.”

“The hushing of the criticism of honest opponents is a dangerous thing. It leads some of the best of the critics to unfortunate silence and paralysis of effort, and others to burst into speech so passionately and intemperately as to lose listeners. Honest and earnest criticism from those whose interests are most nearly touched,—criticism of writers by readers, of government by those governed, of leaders by those led,—this is the soul of democracy and the safeguard of modern society.”