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“These were the rains that drove people close to the walls, under the balconies, or sent them dashing madly through the squares, and drenched the fluttering ribbons and bright trappings of the horses so that their flanks were streaked with delicate watercolors. The storms washed the streets so that little streams of brown water went roaring along the gutters toward the sea, and thundered on the roofs of the cafés where people were crowded together laughing in the steam and half darkness. I loved those rains; they were of the sort that is welcomed by everyone, preceded by hot, oppressive hours of stillness; they came the way storms come in the islands but did not last as long, and often the sun came out when they had passed. I was happy whenever the rain caught me walking about in the streets, for then I would rush into the nearest café, along with all the others who were escaping from the weather, all of us crushing laughing through the doors. The rain allowed me to go anywhere, to form quick, casual friendships, forced to share one of the overcrowded tables, among the beaming waiters who pushed good-naturedly through the throngs carrying cups of steaming apple cider.”
Sofia Samatar“There is a deeper reason why the café was so precious to this town. And this deeper reason has to do with a certain pride that had not hitherto been known in these parts. To understand this new pride the cheapness of human life must be kept in mind. There were always plenty of people clustered around a mill – but it was seldom that every family had enough meal, garments, and fat back to go the rounds. Life could become one long dim scramble just to get the things needed to keep alive. And the confusing point is this: All useful things have a price, and are bought only with money, as that is the way the world is run. You know without having to reason about it the price of a bale of cotton, or a quart of molasses. But no value has been put on human life; it is given to us free and taken without being paid for. What is it worth? If you look around, at times the value may seem to be little or nothing at all. Often after you have sweated and tried and things are not better for you, there comes a feeling deep down in the soul that you are not worth much.”
Carson McCullers, The Ballad of the Sad Café and Other Stories“Everyone would have bigger and safer cars if they didn't have those CAFE standards: corporate average fuel economy.”
Grover Norquist“Having studied at the Sorbonne, I spent my 21st birthday in Paris and celebrated with one of my professors in a cafe outside of Notre Dame.”
Joseph Abboud“I have tried to express the idea that the café is a place where one can ruin oneself, go mad, or commit a crime.”
Vincent van Gogh“I remember that - you know, I didn't receive a formal education. I was educated in the Montevideo cafe, in the cafes of Montevideo. There, I received my first lessons in the art of telling stories, storytelling.”
Eduardo Galeano“The people that I liked and had not met went to the big cafes because they were lost in them and no one noticed them and they could be alone in them and be together.”
Ernest Hemingway, A Moveable Feast“So why did poor artists originally hang around in cafes?""I don't know. Inspiration from the atmosphere.""Ha! No, you've been tricked, too, just like the rest of us. Cafes didn't have inspirational atmosphere at first. That only came later, when you knew artists had been hanging around in them.”
Arthur Phillips, Prague“The bistro was his secret weapon in tracking down murderers. Not just in Three Pines, but in every town and village in Quebec. First he found a comfortable café or brasserie, or bistro, then he found the murderer. Because Armand Gamache knew something many of his colleagues never figured out. Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost.Gamache's job was to collect the evidence, but also to collect the emotions. And the only way he knew to do that was do get to know the people. To watch and listen. To pay attention, and the best way to do that was in a deceptively casual way in a deceptively casual setting.Like the bistro.”
Louise Penny, A Fatal Grace“I went to a foot specialist recently and she said:"You've broken a bone, it's healed funny.""What can you do?""Not much."She strapped me up though and that's the reason my foot is hurting, because the strapping gave me cramp.When I'm about to die I'm going to head ti a swamp so I topple in when the time comes. In 50,000 years when they dig me up, pretty well preserved, the scientists will have to work out what sort of life I led from my bone structure, teeth and whatnot. Maybe I'll be clutching a Felt record or something to give them a clue. They'll look at my foot and say: "This man broke a bone and it's healed funny." And they'll look at the Felt record, analysing the grooves with a Groove Analyser and they'll say: "He was obviously in an indie band and one day the pressure got too much, and he booted a wall." And they wouldn't be far from the truth, those crazy scientists.”
Stuart Murdoch, The Celestial Café