Deformities Quotes

“It may well be that we can never fully adapt to our own deformities. Unable tofind a place inside ourselves for the very real pain and suffering that these deformities cause, we come here to get away from such things. As long as we are here, we can get by without hurting others or being hurt by them because we know that we are "deformed". That's whatdistinguishes us from the outside world: most people go about their lives unconscious of their deformities, while in this little world of ours the deformities themselves are a precondition. Just as Indians wearfeathers on their heads to show what tribe they belong to, we wear our deformities in the open. And we live quietly so as not to hurt one another.”

“It may well be that we can never fully adapt to our own deformities. Unable tofind a place inside ourselves for the very real pain and suffering that these deformities cause, we come here to get away from such things. As long as we are here, we can get by without hurting others or being hurt by them because we know that we are "deformed". That's whatdistinguishes us from the outside world: most people go about their lives unconscious of their deformities, while in this little world of ours the deformities themselves are a precondition. Just as Indians wearfeathers on their heads to show what tribe they belong to, we wear our deformities in the open. And we live quietly so as not to hurt one another.”

“Plants can be affected by stray voltage and they may show stunted growth, deformed growth, or go dormant. In extreme cases they may die.”

“Old age has deformities enough of its own. It should never add to them the deformity of vice.”

“An artist is an artist only because of his exquisite sense of beauty, a sense which shows him intoxicating pleasures, but which at the same time implies and contains an equally exquisite sense of all deformities and all disproportion.”

“[Who are the artists you admire, Surrealist or otherwise?]Remedios Varo, Max Ernst, Charlotte Salomon, Goya, Aubrey Beardsley. Beardsley is not so much about the impossible as he is about freaks and deformities, but those are interesting to me too.”

“O sleep! ridiculous mystery which makes faces appear so grotesque, you are the revealer of human ugliness. You uncover all shortcomings, all deformities and all defects. You turn every face touched by you into a caricature.”

“A wide and vague impression exists that so-called Eastern religion is more contemplative, innocuous, and humane than the proselytizing monotheisms of the West. Don't believe a word of this: try asking the children of Indochina who were dumped by their parents for inherited deformities that were attributed to sins in a previous 'life.”

“Oh yes. It's open all right, but not many people come in here to look at me now so there's no point in selling tickets. No one is interested in a man who professes to be a monster. They'll give me notice very soon. I started out being a great attraction, but people soon understood that what fascinated them about me was no more than the reflection of their own deformities. All I do is how them what is inside themselves,' He added mournfully.”

“The concept of reconciliation is not irretrievable, but I am convinced that before we theologians can interpret the depths of the divine action of reconciliation we must first articulate the profound deformities of Christian intimacy and identity in modernity. Until we do, all theological discussions of reconciliation will be exactly what they tend to be: (a) ideological tools for facilitating negotiations of power; or (b) socially exhausted idealist claims masquerading as serious theological accounts. In truth, it is not at all clear that most Christians are ready to imagine reconciliation.”

“If Shakespeare be considered as a MAN born in a rude age and educated in the lowest manner, without any instruction either from the world or from books, he may be regarded as a prodigy; if represented as a POET capable of furnishing a proper entertainment to a refined or intelligent audience, we must abate much of this eulogy. In his compositions, we regret that many irregularities, and even absurdities, should so frequently disfigure the animated and passionated scenes intermixed with them; and, at the same time, we perhaps admire the more those beauties on account of their being surrounded by such deformities. A striking peculiarity of sentiment, adapted to a single character, he frequently hits, as it were, by inspiration; but a reasonable propriety of thought he cannot for any time uphold. Nervous and picturesque expressions as well as descriptions abound in him; but it is in vain we look either for purity or simplicity of diction. His total ignorance of all theatrical art and conduct, however material a defect, yet, as it affects the spectator rather than the reader, we can more easily excuse than that want of taste which often prevails in his productions, and which gives way only by intervals to the irradiations of genius. [....] And there may even remain a suspicion that we overrate, if possible, the greatness of his genius; in the same manner as bodies often appear more gigantic on account of their being disproportioned and misshapen.”