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“I really enjoy being single again. I spent a lot of time in a relationship and the nearer we came to the end, the more difficult it got. You don't see things clearly as long as you're still involved.”
Dido Armstrong“I feel very warm towards Mum and Dad for giving us the independence they did. My childhood, and the fact we didn't have a TV, gave me a boundless imagination.”
Dido Armstrong“In fact, I'd just like to own something. Everyone thinks I'm glamorous, rich and famous but all I've got is some recording equipment and a battered old BMW.”
Dido Armstrong“Heaven, envious of our joys, is waxen pale; And when we whisper, then the stars fall down To be partakers of our honey talk.(Dido, Queen of Carthage 4.4.52-54)”
Christopher Marlowe“Why d’you think she did it?”I told him I had no idea. He seemed disappointed that I shouldn’t know.“A broken heart,” I suggested.“Do people suffer so much?”“For love? Oh, I imagine so.”“To drown herself?”“Why does that astonish you? Dido threw herself on the flames.”“In legend.”“And real life’s different?” I asked.”
Ronald Frame, Havisham“It was the most beautiful moment that was so perfect you felt like you could just die. It was like the first time you ever heard Dido and Aeneas’ “When I am laid in earth.” A moment so pure you feel like you’re dreaming and begin to question your own mortality that could be capable of and rival such innocent beauty.”
Phil Volatile, My Mind's Abyss“Aeneas comes to her court a suppliant, impoverished and momentarily timid. He is a good-looking man. If anything, his scars emphasize that. The aura of his divine failure wraps around him like a cloak. Dido feels the tender contempt of the strong for the unlucky, but this is mixed with something else, a hunger that worms through her bones and leaves them hollow, to be filled with fire.”
Kij Johnson“Songs and smells will bring you back to a moment in time more than anything else. It's amazing how much can be conjured with a few notes of a song or a solitary whiff of a room. A song you didn't even pay attention to at the time, a place that you didn't even know had a particular smell. I wonder what will someday bring back Dex and our few months together. Maybe the sound of Dido's voice. Maybe the scent of the Aveda shampoo I've been using all summer.”
Emily Giffin, Something Borrowed“ot everyone liked Albert. Not everyone was happy that he had become the most important person around. Lots of people were jealous that Albert had a girl to clean his house and the porcelain basin where he did his business at night when he didn’t want to go outside to the only actual outhouse in Per-dido Beach. And that he could afford to send his clothes to be washed in the fresh water of the ironically named Lake Evian.And there were definitely people who didn’t like working for Albert, having to do what he said or go hungry.Albert traveled with a bodyguard now. The bodyguard’s name was Jamal. Jamal carried an automatic rifle over his shoulder. He had a massive hunting knife in his belt. And a club that was an oak chair leg with spikes driven through it to make a sort of mace.Unlike everyone else Albert carried no weapon himself. Jamal was weapon enough.”
Michael Grant, Plague“Intermission. Mare Internum.We will have a brief pause now. If this novel were a theater, you could go out into the lobby, wait in line for a drink, or for the bathroom. Give people a chance to admire your clothes, hair, or jewels. Step outside for some air or a smoke. Backstage the crew would be busy transforming the scenery, actors would change their costumes and redo their makeup, Some would be done until final curtain, others awaiting their first entrance.But we're not in the theater, and I am not letting you go outside this story, not really. Where we are is more like a pause between breaths. Whether you're inhaling or exhaling, there's a pause just before, like the pause you can feel more than hear before the tide reverses. Where we are is the point of intersection in the figure eight. Turned on its side the eight becomes the symbol of infinity. You can make this figure with your hips when you dance. Over and over you will return to that moment of balance before your weight shifts from one hip to the other. The balance of this story is about to shift. The scenery is changing, as we make our slow way across Mare Internum. A journey I am not going to describe. When the story begins again, some of the people you have come to know and love, or not, Dido, Bertha, Paulina, Reginus, and Joseph will appear less frequently...I don't like it when characters fade form the story, so I am apologizing in advance, but life is like that. We leave people and places and times behind. We encounter new ones. Sometimes we can't see the patterns or connections, but they are there, between one breath and the next. In the ebb and flow of tides. In the rhythm of the dance.”
Elizabeth Cunningham, The Passion of Mary Magdalen