Dystopian fiction Quotes

“The perpetual movement of the water, rolling from and to unknown destinations, the voices of the sea shield us from the raging furies and shrieking sounds of dystopian surroundings, creating an unwinding veil for stilled happiness, acquainting us with the gentle, cosmic rhythms of an extraneous world. They are a soothing relief and let us listen to the voices of our inner world. ("Voices of the sea" )”

“They were like her rocks. Imperfect and surprising and maybe better in the long run than certainties. Chances, she thought, were life”

“Never take offense. Even if someone is robbing you blind, it’s usually nothing personal. Survival is a funny thing, and we all react differently to it. Some react to fear and forget to be human and humane, but that doesn’t mean they have malicious intentions. People have different boundaries, and I promise to respect yours, hon.”

“Dystopian novels help people process their fears about what the future might look like; further, they usually show that there is always hope, even in the bleakest future.”

“At the core of 'Star Trek' is Gene Roddenberry's vision of the future. So much of science-fiction is about a dystopian society with human civilization having crumbled. He had an affirmative, shining, positive view of the future.”

“Before Sept. 11, the idea that Americans would voluntarily agree to live their lives under the gaze of a network of biometric surveillance cameras, peering at them in government buildings, shopping malls, subways and stadiums, would have seemed unthinkable, a dystopian fantasy of a society that had surrendered privacy and anonymity.”

“There's a kid or some kids somewhere. I'll never know them. They're particle-puzzle-cubing right now. They might be mini-misanthropes from Moosefart, Montana. They might be demi-dystopians from Dogdick, Delaware. They dig my demonic dramas. The metaphysic maims them. They grasp the gravity. They'll duke it out with their demons. They'll serve a surfeit of survival skills. They won't be chronologically crucified.They'll shore up my shit. They'll radically revise it. They'll pass it along.”

“A utopian system, when established by men, is likely to be synonymous with a dystopian depression. The only way for perfect peace by man is absolute control of all wrongs. Bully-cultures find this: with each and every mistake, another village idiot is shamed into nothingness and mindlessly shut down by the herd. This is a superficial peace made by force and by fear, one in which there is no freedom to breathe; and the reason it is impossible for man to maintain freedom and peace for everyone at the same time. Christ, on the other hand, transforms, instead of controls, by instilling his certain inner peace. This is the place where one realizes that only his holiness is and feels like true freedom, rather than like imprisonment, and, too, why Hell, I imagine, a magnified version of man's never-ending conflict between freedom and peace, would be the flesh's ultimate utopia - yet its ultimate regret.”

“The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.”

“What we are proposing,' Alicia said, 'is that the laws of physics are such that causality violation is subject to a form of version control, one that prevents a forking of history. That instead of causality violation creating an alternate universe, one version of history is outright overwritten by another. One past is replaced with another future. Which means that the memories of the past of the people in that future are replaced with memories of a different past.'Carson interrupted. 'Including the memories of any—''Purely hypothetical—''—time travelers.''So take our time traveler from the traditional story,' Carson continued. 'He leaves his utopian future for the past. He kills the butterfly. The Magna Carta is never written. He returns to the dystopian future that his misstep created. But he doesn't see it as a dystopia: he sees it as home, the world he grew up in, the world he left to go back in time. Because he doesn't remember that first future, and has no other world to which he can compare this one. Maybe he even sees it as a utopia. Maybe everyone does. Maybe everyone in this dark place believes that they live in the best of all possible worlds.”