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Each generation produces its oracles and sages, independent thinkers whom serve as cultural bearers. Every generation produces perceptive individuals whose special radiance answers the trumpet call of the pernicious challenges bestowed by their times. These compassionate mavens provide worthy insights on humankind’s gallant attempt to escape its balmy pond of alienation and frigid sea of desolation. Conversations conducted by past and present essayist speaking in consonance between parallel times judiciously reflect the polyphonic cadence of robust jubilation wrought through living purposefully. The coruscating voices of the muses from times of yore manufacture the accordion spine of humankind’s expanding éclat anthology.

Kilroy J. Oldster
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Each generation produces its oracles and sages, independent thinkers whom serve as cultural bearers. Every generation produces perceptive individuals whose special radiance answers the trumpet call of the pernicious challenges bestowed by their times. These compassionate mavens provide worthy insights on humankind’s gallant attempt to escape its balmy pond of alienation and frigid sea of desolation. Conversations conducted by past and present essayist speaking in consonance between parallel times judiciously reflect the polyphonic cadence of robust jubilation wrought through living purposefully. The coruscating voices of the muses from times of yore manufacture the accordion spine of humankind’s expanding éclat anthology.

Kilroy J. Oldster, Dead Toad Scrolls
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Writing a personal essay or memoir addresses how a person thinks and behaves in the context of society’s prevailing moral and ethical codes, informal rules, laws, and customs. A self-ethnographer emphasis what he or she considers important regarding how people perceive and categorize the world, their meaning for behavior, how they imagine and explain things, and ascertaining what has meaning for them. Expository writing, a discursive examination of a broad field of subjects, is one method of cohering the dimensions of a person’s emic and etic thoughts and a linked series of memorable events into a unified personal ideology how to live a purposeful life. In cultural anthropology, the emic approach focuses on what people of a local culture think and how they interpret events whereas the etic approach takes a more objective view of how an outsider evaluates the behavior and customs of a culture. Usage of both emic and etic analysis provides the richest description of a cultural or a society in which the personal essayist operates within.

Kilroy J. Oldster, Dead Toad Scrolls
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Writing is a cerebral journey where the writer molds experience into useful thought capsules and thoughtfully takes recitative inventory of their spiritual depot. The act of personal essay writing is a subtle search to track and discover how a contiguous chain of occurrences links the essayist’s case history of rational and irrational behavior. Writing a person’s life story fosters acceptance of their prior personal failures and serves to open a doorway to living modestly and harmoniously.

Kilroy J. Oldster, Dead Toad Scrolls
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Personal essay writing that incites the mind and instigates personal growth involves examination and re-examination, a process of noticing and reflecting upon what a person perceives. Essayistic writing is an osmotic process wherein a person intuitively absorbs information and ideas, allows inchoate thoughts to gestate in the unconscious mind, and then consciously places the emergent strands of language and logic into an orderly and expressive format.

Kilroy J. Oldster, Dead Toad Scrolls
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A shaman and a writer each serve as their communities’ seers by engaging in extraordinary acts of conscientious study of the past and the present and predicting the future. An inner voice calls to the shaman and an essayistic writer to answer the call that vexes the pernicious spirit of their times. Shamanistic writers induce a trance state of mind where they lose contact with physical reality through a rational disordering of the senses, in an effort to encounter for the umpteenth time the great unknown and the unutterable truths that structure existence. An afflicted person seeking clarification of existence cannot ignore the shamanistic calling of narrative exposition. Thus, I shall continue this longwinded howl – making a personal immortality vessel – into the darkness of night forevermore.

Kilroy J. Oldster, Dead Toad Scrolls
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It is the certainty that they possess the truth that makes men cruel. -Anatole France, novelist, essayist, Nobel laureate (1844-1924)

Anatole France
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The American essayist William Deresiewicz wrote that "no real excellence, personal or social, artistic, philosophical, scientific, or moral, can arise without solitude.

Michael Finkel, The Stranger in the Woods: The Extraordinary Story of the Last True Hermit
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It's funny. People often compare me to other humor essayists. They're usually quite nice comparisons; I will accept those gladly. But I am always sort of appalled at the idea of being lumped with other, more chick-y female writers. And the truth is probably that neither comparison is accurate.

Sloane Crosley
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Of the contributions made during the essayist period three call for notice: Weismann deserves mention for his useful work in asking for the proof that "acquired characters" or, to speak more precisely, parental experience can really be transmitted to the offspring. The ocurrence of progressive adaptation by transmission of effects of use had seemed so natural to Darwin and his contemporaries that no proof of the physiological reality of the henomenon was thought necessary. Weismann's challenge revealed the utter inadequacy of the evidence on which the beliefs were based. They are doubtless isolated observations which may be interpreted as favouring the belief in these transmissions, but such meagre indications as exist are by general consent admitted to be too slight to be of much assistance in the attempt to understand how the more complex adaptive mechanisms arose.

William Bateson, Mendel's Principles of Heredity
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Analysis goes a step farther still, and assures us that those impressions of the individual mind to which, for each one of us, experience dwindles down, are in perpetual flight; that each of them is limited by time, and that as time is infinitely divisible, each of them is infinitely divisible also; all that is actual in it being a single moment, gone while we try to apprehend it, of which it may ever be more truly said that it has ceased to be than that it is. To such a tremulous wisp constantly reforming itself on the stream, to a single sharp impression, with a sense in it, a relic more or less fleeting, of such moments gone by, what is real in our life fines itself down.

Walter Pater, The Renaissance: Studies in Art and Poetry
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