European history Quotes

“You can't understand European history at all other than through religion, or English literature either if you can't recognise biblical allusions.”

“The European history of the twentieth century shows us that societies can break, democracies can fall, ethics can collapse, and ordinary men can find themselves standing over death pits with guns in their hands. It would serve us well today to understand why.”

“Every person comes with a place. It can be a house, a park, a building. When you meet someone, you are unknowingly meeting a place, a two-for-one deal that neither party is really aware of yet. Regular Joe’s is Marcus’ place. Mine is the library, second floor, nonfiction, the table between the Poker aisle and European History. Two-thousand days of friendship means that we share.”

“Rosewater was twice as smart as Billy, but he and Billy were dealing with similar crises in similar ways. They had both found life meaningless, partly because of what they had seen in war. Rosewater, for instance, had shot a fourteen-year-old fireman, mistaking for a German soldier. So it goes. And Billy had seen the greatest massacre in European history, which was the fire-bombing of Dresden. So it goes. So they were trying to re-invent themselves and their universe. Science fiction was a big help.”

“[Luchino] Visconti came from the Milanese branch of one of Europe’s oldest families, whose roots can be traced back to the early 13th century. He might have appeared as a character in one of his own films about the aristocracy, such as Senso or The Leopard – that’s the life he was born into. But at a certain point in the 1930s, his passion for theatre, opera and the cinema set him on a radically different path.(...)He has often been referred to as a great political artist, but that’s too limiting and frozen a description. His sense of European history was vast and he knew the lives of the rich and powerful first hand – but at a certain point he became drawn to understand the other side of life, that of the poor and powerless. He had a strong sense of the particular manner in which absolutely everyone, from the Sicilian fishermen in his neorealist classic La Terra Trema to the Venetian aristocrats in Senso, was affected by the grand movements of history.”

“I hope… that we are making China more interesting and less exotic to our Europeanist colleagues. Soon it may no longer suffice for historians of Europe to make mere polite bows in the direction of China”