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“People like to be listened to, as every researcher knows – every researcher, every writer, every spy.”
Michel Houellebecq“I maintained a tactical silence. When you maintain a tactical silence and look people right in the eye, as if drinking in their words, they talk. People like to be listened to, as every researcher knows--every researcher, every writer, every spy.”
Michel Houellebecq, Soumission“There is no right or wrong way to write a novel. Each journey is different for every individual work and for every writer. The first error is never to begin”
the second is never to finish.“I often get asked the question, 'If you had to compare your writing to an author who would it be?' My answer is always the same; the author I compare myself to is me. Every writer has a unique style relevant to only themselves. I am nothing like other authors; some aspects of my writing may have similarities to another, but in the end, each and every one of us is different.”
Ashley Tia Long“Probably all of us, writers and readers alike, set out into exile, or at least into a certain kind of exile, when we leave childhood behind...The immigrant, the nomad, the traveler, the sleepwalker all exist, but not the exile, since every writer becomes an exile simply by venturing into literature, and every reader becomes an exile simply by opening a book.”
Roberto Bolaño, Between Parentheses: Essays, Articles, and Speeches, 1998-2003“Every writer dreams of a perfect language. Every writer dreams of a language that obeys, that comes to heel. For some this language is spare and pure, pared down to reveal essential truths without ornament or obfuscation. For others it is devilish and twisting, folding back over itself to create layers of meaning, shades of nuance.A language that will survive through the ages.A language that will crack open the heart of readers like a hazelnut.”
Helen Marshall“A writer’s life is half ambition and half anxiety, and there has to be both. It is no good writing a novel and feeling fine, and it is no good writing a whole novel feeling miserable. It has to be both, that mixture of anxiety and ambition, and you get that with every novel, but more so when you write about these epics of human suffering. I felt that just as much when I wrote about the Gulag. Every writer knows what that is. The process goes… you have to think: ‘This novel I am writing is no good.’ Then you have to think: ‘All my novels are no good.’ And then, when you reach that point, you can begin.”
Martin Amis“As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.”
John Gardner, On Becoming a Novelist