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“Perhaps this is what Henry James meant when he talked about the “irresponsibility” of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life.”
James Wood“Our relationship with literary characters, at least to those that exercise a certain attraction over us, rests in fact on a denial. We know perfectly well, on a conscious level, that these characters “do not exist,” or in any case do not exist in the same way as do the inhabitants of the real world. But things manifest in an entirely different way on the unconscious level, which is interested not in the ontological differences between worlds but in the effect they produce on the psyche.Every psychoanalyst knows how deeply a subject can be influenced, and even shaped, sometimes to the point of tragedy, by a fictional character and the sense of identification it gives rise to. This remark must first of all be understood as a reminder that we ourselves are usually fictional characters for other people […]”
Pierre Bayard, Sherlock Holmes Was Wrong: Reopening the Case of The Hound of the Baskervilles“I have always believed there is great value in studying the flaws of mankind and men —even fictional characters. All of us are flawed. All of us are diminished by some form of prejudice and bias. If a fictional character is to be realistic, he must struggle with imperfections and weaknesses.”
K. Lee Lerner, Government, Politics, and Protest: Essential Primary Sources“Forget the fictional characters – how many authors are being stopped on the street?”
Joshua Cohen, Book of Numbers“I love fictional characters...they can't break your heart.”
Julia Hall“Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.”
John Banville“Well, the thing about great fictional characters from literature, and the reason that they're constantly turned into characters in movies, is that they completely speak to what makes people human.”
Keira Knightley“Why bother with fictional characters and plots when the world was full of more marvelous stories that were true, with characters so fresh, so powerful, so new, that they stepped from into the narratives under their own power?”
Doris Kearns Goodwin, The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism“The proverb, "Where there's a will.." sums it up for a writer who had just started in his writing life; for himself, the fictional characters and the audience of his works. It's a trinity of perspectives; one of his struggle, another of the story character which he writes about and the last one of the reader's expectation of his protagonists.”
Lucas Michael“The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.”
Wallace Stegner, On Teaching and Writing Fiction