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“It was a fictional story, but like any good fiction, without the need to adjust or conceal the truth, it actually might bethe greatest expression of truth.”
Jacqueline Simon Gunn“I write fiction not for my readers and not for myself. I write fiction for the sake of those odd heroic characters that are contained therein. They are counting on me as much as I am counting on them.”
Nicholas Trandahl“If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.”
Richard Bach, Illusions: The Adventures of a Reluctant Messiah“She asserted that the best fictional detail was a chosen detail, not a remembered one - for fictional truth was not only the truth of observation, which was the truth of mere journalism. The best fictional detail was the detail that should have defined the character or the episode or the atmosphere. Fictional truth was what should have happened in a story - not necessarily what did happen or what had happened.”
John Irving, A Widow for One Year“History is indeed stranger than fiction. The twists and turns of human history are too outlandish for to be believable in any work of fiction.”
A.E. Samaan“The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.”
Erik Davis, TechGnosis: Myth, Magic & Mysticism in the Age of Information“If one were to reply that those who compose these books write them as fictions, and therefore are not obliged to consider the fine points of truth, I should respond that the more truthful the fiction, the better it is, and the more probable and possible, the more pleasing. Fictional tales must engage the minds of those who read them, and by restraining exaggeration and moderating impossibility, they enthrall the spirit and thereby astonish, captivate, delight, and entertain, allowing wonder and joy to move together at the same pace; none of these things can be accomplished by fleeing verisimilitude and mimesis, which together constitute perfection in writing.”
Miguel de Cervantes Saavedra, Don Quixote“The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.”
Wallace Stegner, On Teaching and Writing Fiction“The line between fiction and fact is at times factual and at times fictional”
Pushkar Ganesh Vaidya“You might think of the barrier between fiction and reality as being a bit like a blood-brain barrier, which allows only some kinds of molecules to pass from the bloodstream into the brain. Emotions can easily pass from the fictional world into the real one, so that fiction can feel as if it were real. But BELIEFS are blocked. We KNOW the events have no bearing in the real world.”
Gregory C. Carlson, Sold on Language: How Advertisers Talk to You and What This Says about You