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“Without art, a film is pure wastage of time and resources.”
Abhijit Naskar“What I remember myself from films, and what I love about films, is specific scenes and characters.”
Harmony Korine“Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, ‘No, I’m not interested.’ I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: ‘the book is so much better than the film.”
Paulo Coelho, The Zahir“Oh, oh, oh I can't do that and that... Okay I will do that,... I gonna read this book, I will check out this film and in the end few of them have read the book or the books and the film or the films.”
Deyth Banger“You can tell a lot about the intellectual and moral progress of a nation’s citizens, by the quality and nature of the films they watch.”
Abhijit Naskar, The Film Testament“The colonial films of the golden age of Hollywood were a clear proclamation of the Consensus historians' interpretation of the facts. These motion pictures encouraged audiences to believe that our nation could overcome all obstacles to its growth and defend itself against any future foreign aggression.”
John P. Harty Jr., The Cinematic Challenge: Filming Colonial America“Nations need to constantly reaffirm their historical roots to maintain their political ideals. Motion pictures were one of the media used by nations to accommplish this task. The question one must ask is: Did the colonial films made faithfully represent the period in our nation's history?”
John P. Harty Jr., The Cinematic Challenge: Filming Colonial America“Ever director has at least 10 bad films in them.”
Robert Rodríguez, Rebel Without a Crew: Or, How a 23-year-old Film Maker with $7,000 Became a Hollywood Player“For the casual viewer, Kurosawa’s films can be an exercise in endurance.”
Jerry White, The Films of Kiyoshi Kurosawa: Master of Fear“The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out. . . . Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions.”
E.L. Doctorow