First contact Quotes

“First contact comes not by hand of man, but by metal of machine.”

“Civilized man longs for the illusion of barbarism. Either his culture fulfills this need by adopting its outer trappings, or he will be seduced by his first contact with a culture that does.”

“Feeling extremely foolish, the acting representative of Homo sapiens watched his First Contact stride away across the Raman plain, totally indifferent to his presence.”

“The worst mistake of first contact, made throughout history by individuals on both sides of every new encounter, has been the unfortunate habit of making assumptions. It often proved fatal.”

“...a small part of me that worried that Tori wouldn’t be here when I arrived, that I pushed her too far, too fast, that somehow I read her wrong and asked her for more than she was willing to give. But she’s here. She’s magnificent. And she’s mine. That thought steals the air from my lungs. Her shoulders tense at my gasp, when she realizes she’s no longer alone. “Hello, beautiful,” my voice husky. I drop my bags by the door and swiftly cross the room. I only have a split second to take in how devastating she looks in her blue gown. I don’t know who moves first, but she’s in my arms as my lips descend on hers. With that first contact, the knot of tension that’s taken up residence between my shoulder blades releases, and I finally feel like I can breathe fully for the first time since I left for Los Angeles.”

“Curiously enough, one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do not have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and then can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous masterpiece of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is—a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed)—a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.”

“Vladimir Nabokov“... one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous achievement of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is - a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed) - a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.” ― Vladimir Nabokov, Lectures on Literature”

“I have no special desire to go crawl around in caves, but I really like the word [spelunking] and want to use it in conversation. I do a lot of things just to use words I like.”