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“The folktale world is oriented positively toward its protagonist; a folktale is defined by the hero's triumph: magic weapons and helpers are, with the necessary narrative retardation, at his beck and call.”
Darko Suvin“A book for children, like the myths and folktales that tend to slide into it, is really a blueprint for dealing with life. For that reason, it might have a happy ending, because nobody ever solved a problem while believing it was hopeless. It might put the aims and the solution unrealistically high – in the same way that folktales tend to be about kings and queens – but this is because it is better to aim for the moon and get halfway there than just to aim for the roof and get halfway upstairs.”
Diana Wynne Jones“A folktale without a moral is merely a whimsy.”
Stephen Sondheim, Look, I Made a Hat: Collected Lyrics, 1981-2011, With Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes, and Miscellany“The Dreamer awakesThe shadow goes byThe tale I have told you,That tale is a lie.But listen to me,Bright maiden, proud youthThe tale is a lie;What it tells is the truth.”
Traditional folktale ending“'A Court of Thorns and Roses' was actually inspired by three of my all-time-favorite fairy/folktales: 'Beauty and the Beast,' 'East of the Sun, West of the Moon' and 'Tam Lin.' I got the kernel of inspiration by wondering: 'What if 'Beauty' was a huntress?'”
Sarah J. Maas“After all, is it not the way we humans shape the universe, shape time itself? Do we not take the raw stuff of chaos and impose a beginning, middle, and end on it, like the simplest and most profound of folktales, to reflect the shapes of our own tiny lives? And if the physicists are right, that the physical world changes as it is observed, and we are its only known observers, then might we not be bending the entire chaotic universe, the eternal, ever-active Now, to fit that familiar form?”
Tad Williams, Sea of Silver Light“So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present.Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.”Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.”Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?”Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating.“What do you visualize when you see the beast in your mind?” he asked.“Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?”His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not.“Go ahead,” he said.“The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.”Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected.“Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?”He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.”
Paige Tyler, Her Fierce Warrior“She lived in happy solitude, and grew old, and never worried when her beauty faded, for in her reflection she always saw a free woman.”
Leigh Bardugo, Folktales from Ravka: Little Knife, The Too-Clever Fox, The Witch of Duva“Then the lion stares at it. It stares at its prey. Like this.' (Old Antonio frowns and fastens his black eyes on me.) 'The poor little animal that is going to die just looks. It looks at the lion, who is staring at him. The little animal no longer sees itself, it sees what the lion sees, it looks at the little animal image in the lion's stare, it sees that the lion sees it as small and weak. The little animal never thought before about whether it was small and weak. It was just an animal, neither big nor small, neither strong nor weak. But now it looks at what the lion is seeing, it looks at fear. And by looking at what the lion is seeing, the little animal convinces itself that it is small and weak. And, by looking at the fear that the lion sees, it feels afraid. And now the little animal does not look at anything. Its bones go numb, just like when water gets hold of us at night in the cold. And then the little animal just surrenders, it lets itself go and the lion gets it. That is how the lion kills. It kills by staring.”
Subcomandante Marcos“There were good places and bad places to tell stories and there were of course stories that could not be told in any place on earth and these were reserved for heaven. ”
Gerald Hausman, The American Storybag