Foreword Quotes

“When we are reading, a voice comes to us as in the dark and whispers, "Imagine!" Samuel Beckettas told by Bill Moyer in the Foreword he wrote for, The Public Library: A Photographic Essay by Robert Dawson. Afterword by Ann Patchett”

“Foreword of my book: The Pawn“It is being said that time and space could be tied to their creator’s stance of what they are to him or her. It can possibly be perceived by those who become the receivers of this viewpoint as something different or the same.” (Claire Manning Writer/Author 2016)”

“A verse from a short poem - 'Philosophy is Forestry's Child' - in my Foreword:Ask not which came first, the acorn or the oak.We came as children of the forest;First our wooden cradle, then our kindling for industry.Instead think forward –– trees will shelter us from ourselves.”

“If one proceeds philosophically before proceeding poetically, and this is central to the philosopher, pleasure is crushed, But if one begins by having pleasure, it is like knowing how to swim: one never forgets it [Clarice Lispector, The Stream of Life, trans Elizabeth Lowe & Earl Fitz, Foreword by Hélène Cixous trans Verena Conley, Minneapolis: University of Minnesota Press, 1989].”

“We are the voices in the shadows,Between the light and shade,Betwixt life and restful death,In the dark periphery of the unseen.We’re here, At the edges. We are the villainous punished,The innocent murdered or abandoned,Our lives ended by foul means, or unspeakable deeds.We are your lovers long gone; your siblings forsaken.Can you hear us?At the edgesFrom the Foreword of Cautionary Tales - by Emmanuelle de Maupassant”

“Here, at the edges,Whispering to you,And we’re not alone; not aloneHere, in the dark.We are behind the door, in the corners,In the room where you’ve just extinguished the light.We flicker in the shadow you cast on the wall.We are the prickle on the back of your neck.Curled, in words unspoken,We are the shiver on your uneasy flesh,The creep of the unknown on your skin.Can you feel us?Here, at the edges.From the Foreword of Cautionary Tales - by Emmanuelle de Maupassant”

“What is the use of the colon? What is a colon? Generally it opens onto an explanation, but it is always done with the help of an interruption. It can be said that the colon is not the period, it is the period of the period, the canceling of the period. It is a moment mute and marked; it is the most delicate tattoo of the text. It is also in place of, instead of, everything that would be causal. For example, when we read: "It's simply that: secret." "Secret," is a sentence, it is the shortest sentence perhaps. But it is a sentence in one word. It is a sentence that is secret and that at the same time says its name. One could invert and say: "Secret: it is simply that." This is secret, the secret is the secret of this, it is a word which makes infinite sense all by itself, it is a sentence which performs the secret itself [Clarice Lispector, The Stream of Life, trans Elizabeth Lowe & Earl Fitz, Foreword by Hélène Cixous trans Verena Conley, Minneapolis: University of Minnesota Press, 1989]”

“Muslims pursued knowledge to the edges of the earth. Al-Biruni, the central Asian polymath, is arguably the world's first anthropologist. The great linguists of Iraq and Persia laid the foundations a thousand years ago for subjects only now coming to the forefront in language studies. Ibn Khaldun, who is considered the first true scientific historian, argued hundreds of years ago that history should be based upon facts and not myths or superstitions. The great psychologists of Islam known as the Sufis wrote treatise after treatise that rival the most advanced texts today on human psychology. The great ethicists and exegetes of Islam's past left tomes that fill countless shelves in the great libraries of the world, and many more of their texts remain in manuscript form.In the foreword of "Being Muslim. A Practical Guide" by Dr. Asad Tarsin.”

“Murder is commoner among cooks than among members of any other profession.”