Forming habits Quotes

“Ego is the complete identification with form. Physical forms, thought forms, emotional forms.”

“Practice form, recognize forms, hone your natural gift, and let everything you experience teach you to never be a comparison. This is how art lasts, by pulling form first from the past.”

“When an artist is asked to speak about form, you expect something different than when a critic talks about it. Because you think that somewhere between sentences and words, the secret will slip out. I am trying to give you that secret; it isn't a secret at all, but it is building solidly, not using secrets. I had been trying to extend into metaphysical extension; that film is changing, metamorphic; that is, infinite; the idea that the movement of life is totally important rather than a single life. My films were built on an incline, an increase in intensity. I hoped to make a form which was infinite, the changingness of things. I thought I would want to find a total form which conveyed that sense, particularly in reference to an Oriental subject. My impression was: one is walking down a corridor of a hotel. One hears a sound, opens a door and a man is playing; one listens for three minutes and closes the door. The music went on before you opened the door and it continues after you close the door. There was neither beginning nor end. Western music increases in intensity to a climax and then resolves itself. Oriental music is infinite; it goes on and on. The Chinese theater goes on for hours and hours with time for lunch moving scenery, etc.”

“If you have to choose between something that has form and something that doesn't, go for the one without form. That's my rule.”

“When perplexed, God appears to you in the form of wisdom; when troubled, in the form of peace; when sad, in the form of joy; when heartbroken, in the form of love.”

“Certainly, we can no longer look upon the canon of Western art - Greco-Roman as revived, extended, and graced by the Renaissance - as -the- tradition in art, or even any longer as distinctly and uniquely -ours-. That canon is in fact only one tradition among many, and indeed in its strict adherence to representational form is rather the exception in the whole gallery of -human- art. Such an extension of the resources of the past, for the modern artist, implies a different and more comprehensive understanding of the term "human" itself: a Sumerian figure of a fertility goddess is as "human" to us as a Greek Aphrodite. When the sensibility of an age can accommodate the alien "inhuman" forms of primitive art side by side with the classic "human" figures of Greece or the Renaissance, it should be obvious that the attitude toward man that we call classical humanism - which is the intellectual expression of the spirit that informs the classical canon of Western art - has also gone by the boards.”

“The means through which people may perceive Truth have forms”

“Forming Holiness with filthy hands and heart which leads to a disastrous future is like trying to impress or form when your life is without formation.”

“No permanence is ours; we are a waveThat flows to fit whatever form it finds:Through night or day, cathedral or the caveWe pass forever, craving form that binds.”