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“There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.”
James Caskey“The millions of vacationers who came here every year before Katrina were mostly unaware of this poverty. French Quarter tourists were rarely exposed to the reality beneath the Disneyland Gomorrah that is projected as 'N'Awlins,' a phrasing I have never heard a local use and a place, as far as I can tell, that I have never encountered despite my years in the city. The seemingly average, white, middle-class Americans whooped it up on Bourbon Street without any thought of the third-world lives of so many of the city's citizens that existed under their noses. The husband and wife, clad in khaki shorts, feather boa, and Mardi Gras beads well out of season, beheld a child tap-dancing on the street for money and clapped along to his beat without considering the obvious fact that this was an early school-day afternoon and that the child should be learning to read, not dancing for money. Somehow they did not see their own child beneath the dancer's black visage. Nor, perhaps, did they see the crumbling buildings where the city's poor live as they traveled by cab from the French Quarter to Commander's Palace. They were on vacation and this was not their problem. ”
Billy Sothern, Down in New Orleans: Reflections from a Drowned City“Every town has ‘THAT house’: the one that once held dark secrets. You know the house… the one no one will purchase? The one whose walls have seen blood? The one that even birds avoid, and the darkened windows resemble empty eye sockets? There are furtive, yet insistent, whispers about ‘that’ house, murmurs that perhaps the house is best left alone, lest the dark stain left upon that abode’s history seep into our own present-day.”
James Caskey, The Haunted History of New Orleans: Ghosts of the French Quarter“Endless night of Eternal love in the heart of the French Quarter. Tears of Crimson, the New Orleans Vampire Bar.”
Michelle Hughes, Tears of Crimson“I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.”
Anika Noni Rose