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“Designing for children carries a social responsibility beyond bright colors and scaled-down furnishings that only perceptive and informed grown-ups can understand.”
Sharon Exley“Like language, books serve to express us, but also to complete us, furnishing, through a variety of excerpted and reworked fragments, the missing elements of our personality.”
Pierre Bayard“She would go off in the morning with the punt full of books, and spend long glorious days away in the forest lying on the green springy carpet of whortleberries, reading. She would most diligently work at furnishing her empty mind. She would sternly endeavour to train it not to jump.”
Elizabeth von Arnim, The Pastor's Wife“Furnishing was not a priority in the Citadel. Shelves, stools, tables... There was a rumor among the novices that priests towards the top of the hierarchy had golden furniture, but there was no sign of it here. The room was as severe as anything in the novices' quarters although it had, perhaps, a more opulent severity; it wasn't the forced bareness of poverty, but the starkness of intent.”
Terry Pratchett, Small Gods“Homes, Gamache knew, were a self portrait. A person's choice of color, furnishing, pictures, every touch revealed the individual. God, or the devil, was in the details. And so was the human. Was it dirty, messy, obsessively clean? Were the decorations chosen to impress, or were they a hodgepodge of personal history? Was the space cluttered or clear? He felt a thrill every time he entered a home during an investigation.”
Louise Penny, Still Life“Are we creating and cultivating things that have a chance of furnishing the New Jerusalem? Will the cultural goods we devote our lives to - the food we cook and consume; the music we purchase and practice; the movies we watch and make; the enterprises we earn our paychecks from and invest our wealth in - be identified as the glory and honor of our cultural tradition? Or will they be remembered as mediocrities at best, dead-ends at worst? This is not the same as asking whether we are making "christian" culture.”
Andy Crouch, Culture Making: Recovering Our Creative Calling“I don't know why we stopped reading together, but gradually we were not doing it regularly, and then without realizing it was happening we were reading different books, and gradually we came not to care about the book the other one was reading, because it was not the book we were reading, and we became bored and drifted off when the other one talked about his book. What we were doing, reading different books, was furnishing different rooms, constructing separate worlds almost, in which we could sit and be ourselves again. Of course those were rooms in which we each sat alone, and we gradually spent more and more time in them and less and less in the house we lived in together.”
Sam Savage, Glass“Every word that he had spoken amongst the amassed beauties of Macmaster furnishings had been a link in a love-speech. It was not merely that he had confessed to her as he would have to no other soul in the world - 'To no other soul in the world,' he had said! - his doubts, his misgivings, and his fears; it was that every word he uttered and that came to her, during the lasting of that magic, had sung of passion. If he had uttered the word 'Come', she would have followed him to the bitter ends of the earth; if he had said, 'There is no hope', she would have known the finality of despair. Having said neither, she knew: 'This is our condition; so we must continue!' And she knew, too, that he was telling her that he, like her, was… oh, say, on the side of the angels.”
Ford Madox Ford, Parade's End“He asked, looking at her dark-rimmed eyes, "You do not sleep?"She shivered. "No. I do not want to sleep any more. I sleep too much already. It is so cold, where Quincy sends me in my sleep. Deep into the house, farther in, not into the house we see. It is as if that house were a face, and when you see a face you can't see the brain or the thoughts of the person behind it. And it is so strange - the house inside the house."********"How is it strange - this that you call the house inside the house?"She said vaguely, her eyes growing glassy, "Strange. Shapes change, and sizes. The rooms are different: bigger and blacker and longer and the shadows are full of things. Creatures - or sometimes the rooms get smaller, fewer, and the furnishings change and change, like the scenes in a kaleidoscope, and I see the people in the portraits walking about in them.”
Evangeline Walton, Witch House