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“There are our ghosts,' Smithers said.It was a word he liked to use, said Brewster. Like most of us Brewster had read a few ghost stories, and to him the word 'ghosts' summoned up the creaking floorboards of a haunted house, shrouded white figures gliding silently through darkness, fluttering robes moving of their own bodiless accord, strangely transparent coaches travelling swiftly down a midnight road, and other such images quite remote from the chanting and drumming of desert folk in gaudy garb, with jingling anklets and necklaces, under a hot fierce sun. But the sounds of the Thar came from some invisible source, and to Smithers they were sounds made by ghosts.("Smithers And The Ghosts Of The Thar")”
Robert Silverberg“All Ghosts Are Gray”
Andrew Barger, The Best Ghost Stories 1800-1849: A Classic Ghost Anthology“Science fiction is no more written for scientists that ghost stories are written for ghosts.”
Brian Aldiss“The subject dropped, and we sat on in the dusk that was rapidly deepening into night. The door into the hall was open at our backs, and a panel of light from the lamps within was cast out to the terrace. Wandering moths, invisible in the darkness, suddenly became manifest as they fluttered into this illumination, and vanished again as they passed out of it. One moment they were there, living things with life and motion of their own, the next they quite disappeared. How inexplicable that would be, I thought, if one did not know from long familiarity, that light of the appropriate sort and strength is needed to make material objects visible.Philip must have been following precisely the same train of thought, for his voice broke in, carrying it a little further.'Look at that moth,' he said, 'and even while you look it has gone like a ghost, even as like a ghost it appeared. Light made it visible. And there are other sorts of light, interior psychical light which similarly makes visible the beings which people the darkness of our blindness.' ("Expiation")”
E.F. Benson, The Collected Ghost Stories of E.F. Benson“Laura smiled a little wanly in the twilight. "Far more afraid of flesh and blood than ghosts," she murmured.”
Marie Belloc Lowndes, The Mammoth Book of Modern Ghost Stories“The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!'Those were the days.(introduction to "The Weird Woman")”
Hugh Lamb, Terror by Gaslight: More Victorian Tales of Terror“From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")”
Ambrose Bierce, Ghost Stories“Science fiction is no more written for scientists than ghost stories are written for ghosts.”
Brian W. Aldiss“Ghost stories really scare me. I have such a big imagination that after I watch a horror movie like 'The Grudge', I look in the corners of my room for the next two days.”
Vanessa Hudgens“Dangers were no more than odd imaginings, like ghost stories that children made up to frighten one another: things that couldn't possibly happen.”
Lois Lowry, Number the Stars