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“Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed.”
G.K. Chesterton“Never touch your idols: the gilding will stick to your fin”
Gustave Flaubert, Madame Bovary“What is there flattering, amusing, or edifying in their carving your name on a tombstone, then time rubbing off the inscription together with the gilding?”
Anton Chekhov“But vilifying those we love always detaches us from them a little. We should not touch our idols: their gilding will remain on our hands.”
Gustave Flaubert, Madame Bovary“The dust of thirty years hung lifeless in shafts of morning light, the gilding of perfectly prim pages shone incanescent, the shriek of rolling ladders mourned in perennial soliloquy.”
Michelle Franklin, Tales from Frewyn: Volume 2“How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.”
Antoine de Saint-Exupéry, Wind, Sand and Stars“If he was looking for fancy embellishment, or obvious signs of wealth, he was to be disappointed. Amanda couldn't bear pretension or impracticality, and so she had chosen furniture for function rather than for style. If she bought a chair, it must be large and comfortable. If she bought a side table, it must be sturdy enough to hold a stack of books or a big lamp. She did not like gilding and porcelain disks, nor all the carving and hieroglyphics that were certainly fashionable.”
Lisa Kleypas, Suddenly You“The group’s laughter echoed off the stained, plaster ceiling. I raised my beer, but before I clinked the bottles together, I challenged him. “You think you’re a man I won’t forget?”“Ah’m nae any man ye’ve met before.”“Praise be,” I smirked, “the others haven’t been worth spit.”Then the whiskey came, and I was taken by the tawny light, forgetting to worry about my ‘crazy’. Until Angus’ efforts at gilding my heart, called my ‘alter’ to the fore.”
Cheryl R Cowtan, Girl Desecrated“Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.”
Marion Zimmer Bradley, The Forest House“No paint or dye can give so splendid a colour as gilding. The merit of their beauty is greatly enhanced by their scarcity. With the greater part of rich people, the chief enjoyment of riches consists in the parade of riches, which in their eye is never so complete as when they appear to possess those decisive marks of opulence which nobody can possess but themselves. In their eyes the merit of an object which is in any degree either useful or beautiful is greatly enhanced by its scarcity, or by the great labour which it requires to collect any considerable quantity of it, a labour which nobody can afford to pay but themselves.Book I, Chapter 11 - Rent of Land, part II”
Adam Smith, The Wealth of Nations