Goodreads member Quotes

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“In goodreads it's hard to find my progress in some stuff like quotes new and it needs a lot of work. But in twitter you can find everything - is it just a theory or a true. You decide!”

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“I noticed that a woman on Goodreads said something like, “I was reading along in the beginning thinking, okay, a woman wrote this, there’s her picture, she’s a white lady, the narrator’s a white lady. And then suddenly she says something and you realize she’s a he. And then a few pages later you realize he’s ‘brown.’ I think the author could have been a little more up front about this.” :) It made me happy because in fact I thought everybody would pick the book up, read the back cover, and know they were dealing with a woman writer speaking through a male narrator. Which is a drag, actually, because if you didn’t know the author was a woman, you’d probably assume that an unmarked first-person narrator was a man, but if you knew she was a woman you’d assume her narrator was too. And if you didn’t know the race of the author, you’d probably assume the narrator was white. That’s pretty insidious, of course - it’s the way sexism and racism work. I’m not saying this woman on Goodreads was racist or sexist, I’m saying the fact that we make these assumptions signals that we live in a world that presumes that an unmarked voice is white and male, and that women and people of color will generally be writing from a limited perspective. I guess that’s obvious. But what I was saying about this comment was that it made me realize something else about ebooks - because I can only assume she read it as an ebook if she didn’t get the back jacket copy that explains who’s narrating. I love books, print books, and my own optimal experience of reading this book would be in print, with short breaks to periodically check out the Internet connections that the narrator’s making. But I do think that decontextualization is an interesting side-effect of the ebook…”

“I've known how to control my anger, but that doesn't mean I don't feel it. Page 190”

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