Hamlet Quotes

“HAMLET I will receive it sir with all diligence of spirit. Put your bonnet to his right use, 'tis for the head.OSRIC I thank you lordship, it is very hot.HAMLET No believe me, 'tis very cold, the wind is northerly.OSRIC It is indifferent cold my lord, indeed.HAMLET But yet methinks it is very sultry and hot for my complexion.OSRIC Exceedingly my lord, it is very sultry, as 'twere - I cannot tell how. But my lord, his majesty bade me signify to you that a has laid a great wager on your head. Sir, this is the matter -HAMLET I beseech you remember.(Hamlet moves him to put on his hat)”

“POLONIUS My lord, the queen would speak with you, and presently.HAMLET Do you see yonder cloud that's almost in shape of a camel?POLONIUS By th'mass, and 'tis like a camel indeed.HAMLET Methinks it is like a weasel.POLONIUS It is backed like a weasel.HAMLET Or like a whale?POLONIUS Very like a whale.HAMLET Then I will come to my mother by and by. - They fool me to the top of my bent. - I will come by and by.”

“Lord Polonius: What do you read, my lord? Hamlet: Words, words, words. Lord Polonius: What is the matter, my lord? Hamlet: Between who? Lord Polonius: I mean, the matter that you read, my lord.”

“ROSENCRANTZ My lord, you must tell us where the body is, and go with us to the king.HAMLET The body is with the king, but the king is not with the body. The king is a thing -GUILDENSTERN A thing my lord?HAMLET Of nothing. Bring me to him. Hide fox, and all after!”

“Words are Hamlet's constant companions, his weapons, and his defenses. ...And yet, words also serve as Hamlet's prison. He analyzes and examines every nuance of his situation until he has exhausted every angle. They cause him to be indecisive. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. When he says that Claudius is "... no more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. No mythic character is Hamlet. He is stuck, unable to avenge his father's death because words control him.”

“Her gaze wavered towards one of the books on the sales counter beside the register, a hardcover copy of Shakespeare’s Hamlet with many of the pages dog-eared and stained with coffee and tea. The store owner caught her looking at it and slid it across the counter towards her. “You ever read Hamlet?” he questioned.“I tried to when I was in high school,” said Mandy, picking up the book and flipping it over to read the back. “I mean, it’s expected that everyone should like Shakespeare’s books and plays, but I just….” her words faltered when she noticed him laughing to himself. “What’s so funny, Sir?” she added, slightly offended.“…Oh, I’m not laughing at you, just with you,” said the store owner. “Most people who say they love Shakespeare only pretend to love his work. You’re honest Ma’am, that’s all. You see, the reason you and so many others are put-off by reading Shakespeare is because reading his words on paper, and seeing his words in action, in a play as they were meant to be seen, are two separate things… and if you can find a way to relate his plays to yourself, you’ll enjoy them so much more because you’ll feel connected to them. Take Hamlet for example – Hamlet himself is grieving over a loss in his life, and everyone is telling him to move on but no matter how hard he tries to, in the end all he can do is to get even with the ones who betrayed him.”“…Wow, when you put it that way… sure, I think I’ll buy a copy just to try reading, why not?” Mandy replied with a smile.”

“Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible. 'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?' Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend.”

“To be, or not to be: that is the question. That’s from Hamlet’s - maybe Shakespeare’s - most famous soliloquy. […] But what if Shakespeare - and Hamlet - were asking the wrong question? What if the real question is not whether to be, but how to be?”

“In the corrupted currents of this worldOffence's gilded hand may shove by justice,And oft 'tis seen the wicked prize itselfBuys out the law. . . (Claudius, from Hamlet, Act 3, scene 3)”

“Where is Polonius? HAMLET In heaven. Send hither to see. If your messenger find him not there, seek him i' th' other place yourself. But if indeed you find him not within this month, you shall nose him as you go up the stairs into the lobby.”