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“It took her three seconds-one, two, three-to know that her destiny required her to join this man, and his gun and his wagon, and his waiting horses. She had no conception of what was being asked of her, but she knew that there could be no viable alternative. She dashed inside the orphanage and grabbed the few things that belonged to her.”
James A. Michener, Centennial“At his request--a Custer request was a command impossible to refuse--I produced a series of prints for the Centennial Expedition at Philadelphia: the general with Bloody Knife, his favorite Indian scout; with the Custers' pack of eighty dogs; with his junior officers, planning the destruction of the Lakota Sioux; with Libbie in the parlor of their quarters at the fort; and the general striking a pose that would become as recognizable as Napoléon's; arms folded across his chest, looking forward and slightly upward at his magnificent destiny.”
Norman Lock, American Meteor“The ceaseless rain is falling fast,And yonder gilded vane,Immovable for three days past,Points to the misty main,It drives me in upon myselfAnd to the fireside gleams,To pleasant books that crowd my shelf,And still more pleasant dreams,I read whatever bards have sungOf lands beyond the sea,And the bright days when I was youngCome thronging back to me.In fancy I can hear againThe Alpine torrent's roar,The mule-bells on the hills of Spain,The sea at Elsinore.I see the convent's gleaming wallRise from its groves of pine,And towers of old cathedrals tall,And castles by the Rhine.I journey on by park and spire,Beneath centennial trees,Through fields with poppies all on fire,And gleams of distant seas.I fear no more the dust and heat,No more I feel fatigue,While journeying with another's feetO'er many a lengthening league.Let others traverse sea and land,And toil through various climes,I turn the world round with my handReading these poets' rhymes.From them I learn whatever liesBeneath each changing zone,And see, when looking with their eyes,Better than with mine own.”
Henry Wadsworth Longfellow, The Complete Poems of Henry Wadsworth Longfellow“My biggest hope for this work is that it will help others to remember the sacrifices made for our freedom, and even more so to remember that the men, women, and children all involved in and affected by this era were not just statistics: they were people just like we are, with the same hopes, dreams, and very imminent fears.”
J. Neven-Pugh, press release“Whether we consider hip-hop as an evolved manifestation of the Harlem Renaissance or something completely new under the sun, it clearly has moved beyond the stage of just entertaining lives to that of informing and empowering lives.”
Aberjhani, Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry“The leaders and followers of the Harlem Renaissance were every bit as intent on using Black culture to help make the United States a more functional democracy as they were on employing Black culture to 'vindicate' Black people.”
Aberjhani, Encyclopedia of the Harlem Renaissance“It [the Harlem Renaissance] was a time of black individualism, a time marked by a vast array of characters whose uniqueness challenged the traditional inability of white Americans to differentiate between blacks.”
Clement Alexander Price, Encyclopedia of the Harlem Renaissance“The city of Paris, France, became a place of refuge for biracial Americans during slavery and at the time of the Harlem Renaissance for black musicians, fine artists, writers and others seeking opportunities to practice their craft free from American racism.”
Sandra L. West, Encyclopedia of the Harlem Renaissance“Sandra L. West and Aberjhani have compiled an encyclopedia that makes an important contribution to our need to know more about one of modern America’s truly significant artistic and cultural movements. It helps us to acknowledge the complexity of African American life at a time when the nation’s culture was taking on a recognizable shape, when race was becoming less of a crushing burden and more of a challenge to progressive people and their ideals, and when cities and their inhabitants symbolized the end of the past and the seductiveness of the new.”
Clement Alexander Price, Encyclopedia of the Harlem Renaissance