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“That, they never could lay their heads upon their pillows; that, they could never tolerate the idea of their wives laying their heads upon their pillows; that, they could never endure the notion of their children laying their heads on their pillows; in short , that there never more could be , for them or theirs , any laying of heads upon pillows at all , unless the prisioner's head was taken off.The Attorney General during the trial of Mr. Darnay ”
Charles Dickens“No "knack" of drawing heads can compete with sound knowledge.”
Andrew Loomis, Drawing the Head and Hands“I simply ate a fish-head, but fish-heads won't fillme now. Your attention is a fish-head,so throw it back into my new body, backinto the body climbing the stairs.”
Patricia Lockwood, Motherland Fatherland Homelandsexuals“Some girls had their heads in the clouds. My head was somewhere on the other side of the galaxy.”
Angela N. Blount, Once Upon an Ever After“I walk up and down the rows. The heads look like rubber halloween masks. They also look like human heads, but my brain has no precedent for human heads on tables or in roasting pans or anywhere other than on top of a human bodies, and so I think it has chosen to interpret the sight in a more comforting manner. - Here we are at the rubber mask factory. Look at the nice men and woman working on the masks.”
Mary Roach, Stiff: The Curious Lives of Human Cadavers“Suddenly, the giant, three-headed dog that guards the entrance to the Underworld appears next to her—sans two of its heads—and sits down. As a child, we had a neighbor with a Great Dane, and I know they’re about three feet tall at the shoulder. Allow another twelve inches for their T-Rex-sized heads, and you’ve got a dog that this woman could throw a saddle on and ride like a pony.”
Elle Lothlorien, Alice in Wonderland“Idle hands are the devils greatest tools. But it’ll be good to notice that the tools sharpened by idle heads. You are idle because that’s the job your mind gave you!”
Israelmore Ayivor, Daily Drive 365“It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement.Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason?”
J.P. Delaney, The Girl Before