Hellraiser ii Quotes

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That’s got to stop,” says I. “The idea of any blood-thirsty pirate (Mexican President Diaz) sitting on a throne and reaching across the border to tromp on our Constitution makes my blood boil.” — Mother Jones

Jerry Ash
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To the RKO motion picture camera at her 100th birthday party: “I pray for the day when working men and women are able to earn a fair share of the wealth they produce in a capitalist system, a day when all Americans are able to enjoy the freedom, rights and opportunities guaranteed them by the Constitution of the United States of America.” — Mother Jones

Jerry Ash, Hellraiser—Mother Jones: An Historical Novel
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Democracy is supposed to be ‘of the people, by the people and for the people’. Capitalism is ‘of the capitalist, for the capitalist’. Period.

Jerry Ash, Hellraiser—Mother Jones: An Historical Novel
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Go home now,” says I. “Keep away from the saloons. Save your money. You are going to need it.”“What are we going to need it for?” asks a voice from the crowd.“For guns and ammunition,” says I.

Jerry Ash, Hellraiser—Mother Jones: An Historical Novel
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Well, honey, it’s capitalism that brings out the meanness and greed,” says I. “Our founding fathers did a decent job of framing our democracy. They wrote the Constitution and added a Bill of Rights that intended for people of all classes to enjoy the freedoms the Constitution offers. But capitalism came along without a constitution or a bill of rights and the industrialists grabbed unrestricted power. The capitalists wrote their own ‘Declaration of Capitalism’.” — Mother Jones

Jerry Ash, Hellraiser—Mother Jones: An Historical Novel
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Didn't open the box? What was it last time? Didn't know what it was? And yet we do keep finding each other, don't we? - Cenobite

Clive Barker
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But can one actually see beauty with eyes blurred by the lack of almost everything a human being needs?

Paulo Lins, City of God
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I found a brief piece of by Antonio Vivaldi around this time which became my ‘Pinhead Mood Music’. Called Al Santo Sepolcro (At The Holy Sepulchre), it opens more like a piece of modern orchestral music, and although it it moves toward Vivaldi’s familiar harmonies, there is always the threat that it will fall back into dissonance. The piece progresses in an exquisite agony, poised on a knife edge between beauty and disfigurement, joy and sorrow, pleasure and pain. Perfect.

Doug Bradley, Behind the Mask of the Horror Actor
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If you make your own path in this thing we call life, you will forever know that it was yours and not someone else's. - Michael A. Contés II

- Michael A. Contés II
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Though Charles II both craved and enjoyed female companionship till the end of his life, there is no question that by the cold, rainy autumn of 1682 his physical appetites had diminshed considerably. The Duchess of Portsmouth was, after all, more than twenty years his junior; and there comes a time in nearly every such relationship when the male partner is simply unable to fully accommodate the female partner. Or as Samuel Pepys tartly noted in his diary, "the king yawns much in council, it is thought he spends himself overmuch in the arms of Madame Louise, who far from being wearied, seems fresher than ever after sporting with the king.

Antonia Fraser, Royal Charles: Charles II and the Restoration
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