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“That’s got to stop,” says I. “The idea of any blood-thirsty pirate (Mexican President Diaz) sitting on a throne and reaching across the border to tromp on our Constitution makes my blood boil.” — Mother Jones”
Jerry Ash“To the RKO motion picture camera at her 100th birthday party: “I pray for the day when working men and women are able to earn a fair share of the wealth they produce in a capitalist system, a day when all Americans are able to enjoy the freedom, rights and opportunities guaranteed them by the Constitution of the United States of America.” — Mother Jones”
Jerry Ash, Hellraiser—Mother Jones: An Historical Novel“Democracy is supposed to be ‘of the people, by the people and for the people’. Capitalism is ‘of the capitalist, for the capitalist’. Period.”
Jerry Ash, Hellraiser—Mother Jones: An Historical Novel“Go home now,” says I. “Keep away from the saloons. Save your money. You are going to need it.”“What are we going to need it for?” asks a voice from the crowd.“For guns and ammunition,” says I.”
Jerry Ash, Hellraiser—Mother Jones: An Historical Novel“Well, honey, it’s capitalism that brings out the meanness and greed,” says I. “Our founding fathers did a decent job of framing our democracy. They wrote the Constitution and added a Bill of Rights that intended for people of all classes to enjoy the freedoms the Constitution offers. But capitalism came along without a constitution or a bill of rights and the industrialists grabbed unrestricted power. The capitalists wrote their own ‘Declaration of Capitalism’.” — Mother Jones”
Jerry Ash, Hellraiser—Mother Jones: An Historical Novel“Didn't open the box? What was it last time? Didn't know what it was? And yet we do keep finding each other, don't we? - Cenobite”
Clive Barker“But can one actually see beauty with eyes blurred by the lack of almost everything a human being needs?”
Paulo Lins, City of God“I found a brief piece of by Antonio Vivaldi around this time which became my ‘Pinhead Mood Music’. Called Al Santo Sepolcro (At The Holy Sepulchre), it opens more like a piece of modern orchestral music, and although it it moves toward Vivaldi’s familiar harmonies, there is always the threat that it will fall back into dissonance. The piece progresses in an exquisite agony, poised on a knife edge between beauty and disfigurement, joy and sorrow, pleasure and pain. Perfect.”
Doug Bradley, Behind the Mask of the Horror Actor