Hence Quotes

“On this material plane, each living being is like a street lantern lamp with a dirty lampshade.The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy.However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames.The lampshades of all are stained with the clutter of the material reality or the physical world.As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings).The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with.The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose.The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy.To remain “lit” each lantern lamp must tap into the universal Source of energy.If the link is weak, depression and-or illness sets in.If the link is strong, life persists.This metaphor to me best illustrates the universe.”

“On this material plane, each living being is like a street lantern lamp with a dirty lampshade.The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy.However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames.The lampshades of all are stained with the clutter of the material reality or the physical world.As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings).The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with.The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose.The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy.To remain “lit” each lantern lamp must tap into the universal Source of energy.If the link is weak, depression and-or illness sets in.If the link is strong, life persists.This metaphor to me best illustrates the universe.”

“Weaving spiders, come not here, Hence, you long legged spinners, hence! Beetles black, approach not here, worm nor snail, do no offense.”

“In the old days, variety turns like me learned how to cope with failure - we all had nights when we 'died' on stage - but today's youngsters simply don't have that experience. For them, it really is instant make or break time - hence, all the tears and, hence, all the potential emotional damage.”

“The commendable efforts of preachers to Europe is that each worker no matter the level, knows he is participating in the process of creation with God hence the dignity.”

“A man actually has two Gods. The one, created him and the other, he created. Nature is not the first God but the first God exists in and as a part of the nature; a man with the help his reason creates a God against the forces of nature that are perceived to be as threat, hence the second God. The second God is the property of an individual mind that created it. A child has no reason and hence it has no second God; but it has the first God not yet known to it because the fear is not felt by the child! The first God is felt and known due to the fear ingrained in the instinct and the second God is the surrender and prayer brought out by the reason!”

“Both the mentally healthy and the neurotic are driven by the need to find an answer [to the problem of human existence], the only difference being that one answer corresponds more to the total needs of man, and hence is more conducive to the unfolding of his powers and to his happiness than the other. All cultures provide for a patterned system in which certain solutions are predominant, hence certain strivings and satisfactions.... The deviate from the cultural pattern is just as much in search of an answer as his more well-adjusted brother. His answer may be better or worse than the one given by his culture - it is always another answer to the same fundamental question raised by human existence. In this sense all cultures are religious and every neurosis is a private form of religion, provided we mean by religion an attempt to answer the problem of human existence.”

“What is important is to understand the true boundaries of reality, not the probable boundaries of possible future events. Although boundary conditions operate on the future, they are probabilistic constraints, not absolutely determined fact. We assume that ten minutes hence, the room we are in will still exist. It is a boundary condition that will define the next ten minutes in our space/time coordinate. But we cannot know who will be in the room ten minutes hence; that is free to be determined. One may ask if we can really know that the room will exist at any future moment. This is where induction enters the picture, since in truth we cannot know with certainty. There is no absolutely rigorous way of establishing that. But we can make the inductive leap of faith that has to do with accumulated experience. We project that the existence of the room will remain a boundary condition, but in principle in the next ten minutes there could be an earthquake and this building might not be left standing. However, for that to happen, the boundary condition will have to be radically disrupted in some unexpected and improbable manner. What is so curious is that such a thing could occur.”

“Because it is possible to create — creating one’s self, willing to be one’s self, as well as creating in all the innumerable daily activities (and these are two phases of the same process) — one has anxiety. One would have no anxiety if there were no possibility whatever. Now creating, actualizing one’s possibilities, always involves negative as well as positive aspects. It always involves destroying the status quo, destroying old patterns within oneself, progressively destroying what one has clung to from childhood on, and creating new and original forms and ways of living. If one does not do this, one is refusing to grow, refusing to avail himself of his possibilities; one is shirking his responsibility to himself. Hence refusal to actualize one’s possibilities brings guilt toward one’s self. But creating also means destroying the status quo of one’s environment, breaking the old forms; it means producing something new and original in human relations as well as in cultural forms (e.g., the creativity of the artist). Thus every experience of creativity has its potentiality of aggression or denial toward other persons in one’s environment or established patterns within one’s self. To put the matter figuratively, in every experience of creativity something in the past is killed that something new in the present may be born. Hence, for Kierkegaard, guilt feeling is always a concomitant of anxiety: both are aspects of experiencing and actualizing possibility. The more creative the person, he held, the more anxiety and guilt are potentially present.”

“We did not decide to be born hence”

“I feel more, hence I speak less!”